22422960
Jing Jing Jingle Bells
22422960
22422960
22422960
Copyright Material for Preview Only - Sheet Music Plus
Choral vocal duet, piano
SKU: CF.BL1272
Composed by James Pierpont. Arranged by Daniel Miner. Octavo. 12 pages. Duration 0:02:01. BriLee Music #BL1272. Published by BriLee Music (CF.BL1272).
UPC: 672405010962. 6.875 x 10.5 inches. Key: Eb major. English.
Emerging mixed choirs love to sing Jingle Bells, so it is my hope that this setting with limited ranges, repetitive patterns and a rhythmic ostinato proves to be a fun journey for the choir.As you work through the piece, here are a few guiding points: The ostinato throughout should be rhythmic and accented. “Jing” should go straight to the “ng” sound. In contrast, the melody should be sung in a rhythmic, legato style. The piece offers an opportunity to work melodic versus accompaniment balance between parts. In a similar manner, in the call-and-response verse (mm. 29-39), parts should be equal in their dynamics while still achieving clarity in textual differences when they occur.
Emerging mixed choirs love to singxa0Jingle Bells,xa0so it is my hope that this setting with limited ranges, repetitive patterns and a rhythmic ostinato proves to be a fun journey for the choir.As you work through the piece, here are a few guiding points:The ostinato throughout should be rhythmic and accented. “Jing” should go straight to the “ng” sound.In contrast, the melody should be sung in a rhythmic, legato style.The piece offers an opportunity to work melodic versus accompaniment balance between parts.In a similar manner, in the call-and-response verse (mm. 29-39), parts should be equal in their dynamics while still achieving clarity in textual differences when they occur.
Choral vocal duet, piano
SKU: CF.BL1272
Composed by James Pierpont. Arranged by Daniel Miner. Octavo. 12 pages. Duration 0:02:01. BriLee Music #BL1272. Published by BriLee Music (CF.BL1272).
UPC: 672405010962. 6.875 x 10.5 inches. Key: Eb major. English.
Emerging mixed choirs love to sing Jingle Bells, so it is my hope that this setting with limited ranges, repetitive patterns and a rhythmic ostinato proves to be a fun journey for the choir.As you work through the piece, here are a few guiding points: The ostinato throughout should be rhythmic and accented. “Jing” should go straight to the “ng” sound. In contrast, the melody should be sung in a rhythmic, legato style. The piece offers an opportunity to work melodic versus accompaniment balance between parts. In a similar manner, in the call-and-response verse (mm. 29-39), parts should be equal in their dynamics while still achieving clarity in textual differences when they occur.
Emerging mixed choirs love to singxa0Jingle Bells,xa0so it is my hope that this setting with limited ranges, repetitive patterns and a rhythmic ostinato proves to be a fun journey for the choir.As you work through the piece, here are a few guiding points:The ostinato throughout should be rhythmic and accented. “Jing” should go straight to the “ng” sound.In contrast, the melody should be sung in a rhythmic, legato style.The piece offers an opportunity to work melodic versus accompaniment balance between parts.In a similar manner, in the call-and-response verse (mm. 29-39), parts should be equal in their dynamics while still achieving clarity in textual differences when they occur.
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