Jesus' Blood Boxed Score &dat Tape for pre-recorded tape and instruments by Gavin Bryars String Quartet - Sheet Music

By Gavin Bryars

The score and performing material of Jesus' Blood Never Failed Me Yet published by Schott comprises everything that is sanctioned for performance or recording. The use of an obligato voice, improvised or otherwise is expressly forbidden and cannot be authorised except by the composer. The recording by the composer on Point Music, in which Tom Waits' voice is added during the later stages of the performance, is unique. His voice was used only for this specific occasion, growing out of the personal relationship between Tom Waits and the composer and does not represent in anyway a precedent for others.

Print edition
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Details

Instrument:
Violin
Ensembles:
Orchestra String Quartet
Genres:
Christian 20th Century
Composers:
Gavin Bryars
Publishers:
Schott Music
ISBN:
9790220130472
Format:
CD DAT Tape Score
Item types:
Physical
Artist:
Gavin Bryars
Usages:
School and Community Sacred
Size:
12.5x17.25x1.143 inches
Shipping Weight:
2.06 pounds

Digital tape / CD and ensemble / orchestra (Instrumentation flexible with instrumental groups optional but based on the following maximum scoring: 1.1.1.bcl.1-4.2.2.1-perc(glsp.vib)-gtr.hp.cel.org-string quartet.2db)

SKU: HL.49014910

For pre-recorded tape and instruments. Composed by Gavin Bryars. Sheet music. Edition Schott. Classical. Orchestral material, Duration is flexible. Composed 1971. Duration 35'. Schott Music #ED 12480. Published by Schott Music (HL.49014910).

ISBN 9790220130472. 12.5x17.25x1.143 inches.

The score and performing material of Jesus' Blood Never Failed Me Yet published by Schott comprises everything that is sanctioned for performance or recording. The use of an obligato voice, improvised or otherwise is expressly forbidden and cannot be authorised except by the composer. The recording by the composer on Point Music, in which Tom Waits' voice is added during the later stages of the performance, is unique. His voice was used only for this specific occasion, growing out of the personal relationship between Tom Waits and the composer and does not represent in anyway a precedent for others.