Jean-Thierry Boisseau: Petite Suite Liturgique for organ by Jean-Thierry Boisseau Organ Solo - Digital Sheet Music

By Jean-Thierry Boisseau

Veni Creator, Pange Lingua, Ave Maris Stella, Victimae Paschali, chow does one dare, afterGrigny, Duruflé, Dupré, Tournemire, to composer, “à la française”, works using thesethemes? My position is that these composers never intended that it be forbidden to writesuch works after their own. Perhaps they even wished, by their excellant example, tomotivate those who came after them to be inspired by these themes. à s’y intéresser aussi.In this work, I wanted to address an issue that Carson P. Cooman brought to my attention.Composer-organists have written and more generally write virtuoso works, even if theirinspiration in liturgical. The typical Church organist is not usually a virtuoso by definitiion.These organists are generally excellant musicians. If the Church Organist does notimprovise, he might find himself trapped in a repertoire which he can technically play, butwhich usually remains in the domain of common-practice music. Modern music, which isusually quite difficult, is usually not part of this repertoire. In these seven pieces, I am thus proposing a contemporary alternative for Church musicians to the usual repertoire of the past. These works are an evident evocation of the French OrganSchool of the 20th century in an easier style. The pedal part is especially conceived in this sense. These simple works may also serve as an introduction to improvising using Gregorian themes.These pieces are generally short, but there are numerous passages which may be repeated asdesired, generally indicated by a double bar. The registrations are desired, but allow the performer to find the best solution with his own instrument. It is necessary, however, to have an instrument with at least two keyboards. The liturgical uses suggested by the subtitles are only propositions. Jean-Thierry BoisseauTable des Matières/Table of Contents1. Pange Lingua (Tantum Ergo) - Choral - page 42. Ave Maris Stella - Méditation - page 83. Vexilla Regis - Communion - page 104. Victimae Paschali Laudes - Offertoire - page 125. Ave Colendas Trinitas - prélude non-mesuré - Sortie- page 156. O Filii - Alléluia - page 177. Veni Creator - Sortie - page 21

Digital Download
$15.96
$19.95
You save: $3.99 ~ 20%

WELCOME20 activated

Access Instantly
Download and print your PDF sheet music right away.
Quantity
1
Get a 10% discount with SMP Plus subscription

Details

Format:
Score
Item types:
Digital
Level:
Intermediate
Musical forms:
Suite
Artist:
Jean-Thierry Boisseau
Usages:
Sacred
Number of Pages:
22

Organ - Level 3 - Digital Download

SKU: A0.534342

Composed by Jean-Thierry Boisseau. Contemporary,Sacred,Standards. Score. 22 pages. Musik Fabrik Music Publishing #3364715. Published by Musik Fabrik Music Publishing (A0.534342).

Veni Creator, Pange Lingua, Ave Maris Stella, Victimae Paschali, chow does one dare, after
Grigny, Duruflé, Dupré, Tournemire, to composer, “à la française”, works using these
themes? My position is that these composers never intended that it be forbidden to write
such works after their own. Perhaps they even wished, by their excellant example, to
motivate those who came after them to be inspired by these themes. à s’y intéresser aussi.
In this work, I wanted to address an issue that Carson P. Cooman brought to my attention.
Composer-organists have written and more generally write virtuoso works, even if their
inspiration in liturgical. The typical Church organist is not usually a virtuoso by definitiion.
These organists are generally excellant musicians. If the Church Organist does not
improvise, he might find himself trapped in a repertoire which he can technically play, but
which usually remains in the domain of common-practice music. Modern music, which is
usually quite difficult, is usually not part of this repertoire. In these seven pieces, I am thus proposing a contemporary alternative for Church musicians to the usual repertoire of the past. These works are an evident evocation of the French Organ
School of the 20th century in an easier style. The pedal part is especially conceived in this sense. These simple works may also serve as an introduction to improvising using Gregorian themes.

These pieces are generally short, but there are numerous passages which may be repeated as
desired, generally indicated by a double bar. The registrations are desired, but allow the performer to find the best solution with his own instrument. It is necessary, however, to have an instrument with at least two keyboards. The liturgical uses suggested by the subtitles are only propositions.

Jean-Thierry Boisseau

Table des Matières/Table of Contents
1. Pange Lingua (Tantum Ergo) - Choral - page 4
2. Ave Maris Stella - Méditation - page 8
3. Vexilla Regis - Communion - page 10
4. Victimae Paschali Laudes - Offertoire - page 12
5. Ave Colendas Trinitas - prélude non-mesuré - Sortie- page 15
6. O Filii - Alléluia - page 17
7. Veni Creator - Sortie - page 21

About ArrangeMe

This product was created by a member of ArrangeMe, Hal Leonard's self-publishing community for independent composers, arrangers, and songwriters. Discover unique arrangements of popular titles and original compositions from diverse creators. The length, difficulty, and pricing are determined by the arranger or composer.

About Digital Downloads

Digital Downloads let you instantly access sheet music on your computer, tablet, or mobile device. Print your sheet music anywhere, anytime, or play it straight from your device—no internet connection is required after download.

Each Digital Download includes a watermark with your name, purchase date, and the number of copies purchased. You may only print or use the number of copies purchased. Redistribution or unauthorized printing is prohibited.