17640027
Jazzalogue No.1
17640027
17640027
17640027
Copyright Material for Preview Only - Sheet Music Plus
Brass Ensemble Brass Ensemble (trumpet 1, trumpet 2, trumpet 3, F horn 1, F horn 2, F horn 3, F horn 4, trombone 1, trombone 2, bass trombone, tuba) - difficult
SKU: CN.06830
Composed by Joseph Turrin. Score and parts. Duration 1:50. Published by C. Alan Publications (CN.06830).
This kickin' piece for brass ensemble is in a Latin jazz style and is perfect as an opener or an encore. The New York Philharmonic commission Turrin to write this for the brass section on their 1997 Latin American Tour.
Jazzalogue No.1 was commissioned by the New York Philharmonic for the brass section as an encore piece for their 1997 Latin American Tour. The premiere was given by the New York Philharmonic brass section in May 1997 at Avery Fisher Hall in New York City. The concert was broadcast nationally on radio. Intended to be played without a conductor, the work has subsequently been used by the orchestra's brass section throughout the world. The piece can either be used at the opening of a concert or as an encore. There is a Latin jazz flavor throughout and should be played aggressively in a Stan Kenton style.
Brass Ensemble Brass Ensemble (trumpet 1, trumpet 2, trumpet 3, F horn 1, F horn 2, F horn 3, F horn 4, trombone 1, trombone 2, bass trombone, tuba) - difficult
SKU: CN.06830
Composed by Joseph Turrin. Score and parts. Duration 1:50. Published by C. Alan Publications (CN.06830).
This kickin' piece for brass ensemble is in a Latin jazz style and is perfect as an opener or an encore. The New York Philharmonic commission Turrin to write this for the brass section on their 1997 Latin American Tour.
Jazzalogue No.1 was commissioned by the New York Philharmonic for the brass section as an encore piece for their 1997 Latin American Tour. The premiere was given by the New York Philharmonic brass section in May 1997 at Avery Fisher Hall in New York City. The concert was broadcast nationally on radio. Intended to be played without a conductor, the work has subsequently been used by the orchestra's brass section throughout the world. The piece can either be used at the opening of a concert or as an encore. There is a Latin jazz flavor throughout and should be played aggressively in a Stan Kenton style.
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