Introduzione e Allegro alla Polacca for violin, violoncello and piano by Olli Mustonen Piano Trio - Digital Sheet Music

By Olli Mustonen

My Introduzione e Allegro alla Polacca was commissioned by Trio Gaspard as part of their Haydn project. It is a modest tribute to the inimitable art of Haydn, which had an important impact on me already quite early in my musical life. When I was something like 7 to 9 years old, an important part of my piano lessons consisted of playing piano duets with my teacher Ralf Gothóni. We went through a large amount of repertoire, also including four-hand arrangements of many symphonies and string quartets of Haydn. Around the same time I also started playing his piano trios and sonatas. So his musical language was a very important part of the musical landscape of my very early years as a musician. In Introduzione e Allegro alla Polacca one can hear a homage to the adventurous, astounding and mysterious chains of modulations often found in his music, as well as his boyish and most endearing sense of humour, so full of sunshine. (Olli Mustonen)

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Details

Instrument:
Cello Piano Accompaniment Violin
Ensembles:
Piano Trio
Genres:
Classical
Composers:
Olli Mustonen
Publishers:
Schott Music - Digital

Violin, cello and piano - advanced to difficult - Digital Download

SKU: S9.Q788184

For violin, violoncello and piano. Composed by Olli Mustonen. Olli Mustonens Introduzione e Allegro alla Polacca ist eine Hommage an Haydn, dessen Werke ihn seit Kindheit prägten. Das Stück spiegelt Haydns Geist in abenteuerlichen Modulationen, fantasievollen Motiven und sonnigem Humor wider. Score and parts. Duration 4'. Schott Music - Digital #Q788184. Published by Schott Music - Digital (S9.Q788184).

My Introduzione e Allegro alla Polacca was commissioned by Trio Gaspard as part of their Haydn project. It is a modest tribute to the inimitable art of Haydn, which had an important impact on me already quite early in my musical life. When I was something like 7 to 9 years old, an important part of my piano lessons consisted of playing piano duets with my teacher Ralf Gothóni. We went through a large amount of repertoire, also including four-hand arrangements of many symphonies and string quartets of Haydn. Around the same time I also started playing his piano trios and sonatas. So his musical language was a very important part of the musical landscape of my very early years as a musician. In Introduzione e Allegro alla Polacca one can hear a homage to the adventurous, astounding and mysterious chains of modulations often found in his music, as well as his boyish and most endearing sense of humour, so full of sunshine. (Olli Mustonen).

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