20161434
Into the Wordless
20161434
20161434
20161434
Copyright Material for Preview Only - Sheet Music Plus
Coro SATB, Perc
SKU: CA.965700
Composed by Daniel Elder. Edited by Stefan Schuck. Carus Contemporary. Sheet music series: CARUS CONTEMPORARY. CARUS CONTEMPORARY. Score. 20 pages. Carus Verlag #CV 09.657/00. Published by Carus Verlag (CA.965700).
ISBN 9790007165079. 8.27 x 11.69 inches. Text language: English.
Into the Wordless compares two poems by Walt Whitman, both from his landmark publication Leaves of Grass. These two disparate texts fit together in a hauntingly symbiotic way, and in this setting they are compared musically in two distinct styles that represent a dual-reality experienced by the narrator. As the poems are interwoven section by section, the plagal nature of Gliding Over All joins seamlessly with the pa n-diatonicpatterns in A Clear Midnight, in particular their shared weight of A-flat major – historically theorized as the "key of the grave" (Christian Schubart’s Ideen zu einer Ästhetik der Tonkunst, 1806) – albeit in different harmonic contexts. (Daniel Elder).
Coro SATB, Perc
SKU: CA.965700
Composed by Daniel Elder. Edited by Stefan Schuck. Carus Contemporary. Sheet music series: CARUS CONTEMPORARY. CARUS CONTEMPORARY. Score. 20 pages. Carus Verlag #CV 09.657/00. Published by Carus Verlag (CA.965700).
ISBN 9790007165079. 8.27 x 11.69 inches. Text language: English.
Into the Wordless compares two poems by Walt Whitman, both from his landmark publication Leaves of Grass. These two disparate texts fit together in a hauntingly symbiotic way, and in this setting they are compared musically in two distinct styles that represent a dual-reality experienced by the narrator. As the poems are interwoven section by section, the plagal nature of Gliding Over All joins seamlessly with the pa n-diatonicpatterns in A Clear Midnight, in particular their shared weight of A-flat major – historically theorized as the "key of the grave" (Christian Schubart’s Ideen zu einer Ästhetik der Tonkunst, 1806) – albeit in different harmonic contexts. (Daniel Elder).
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