Intermezzo to Suor Angelica by Giacomo Puccini Set of Parts - Sheet Music

By Giacomo Puccini

In the vast body of work that Giacomo Puccini left the world, are his full -length operas, as well as three one-act operas, known also as Il Trittico. Suor Angelica is one of these one-act operas, having its premier at the Metropolitan Opera on December 14th, 1918.Puccini was a master composer, and builder of the dramatic melody. It was because of this, that his operas, and arias from his operas are still some of the most requested compositions of all time. In addition, the intermezzi to some of his operas, not only were used in the performances of these works, but were popular enough to be programmed separately into orchestral concerts.Puccini orchestrated this, mainly with strings in mind; very light use of woodwinds and brass, and no percussion. My selection of woodwind choir in this arrangement, had its own challenges for me. What sounds perfect for strings, doesn't necessarily sound perfect for woodwinds. How close to Puccini's score was I going to go? Puccini definitely wrote for the voice in mind, and that was my ultimate goal.

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Details

Format:
Set of Parts Score and Parts
Item types:
Physical
Artist:
Giacomo Puccini
Arrangers:
Judith Katz
Usages:
School and Community
Size:
9 x 12 in inches
Shipping Weight:
1.46 pounds

Woodwind choir

SKU: IG.CMF182

Composed by Giacomo Puccini. Arranged by Judith Katz. Score and Parts. Imagine Music Publishing #CMF182. Published by Imagine Music Publishing (IG.CMF182).

9 x 12 in inches.

In the vast body of work that Giacomo Puccini left the world, are his full -length operas, as well as three one-act operas, known also as Il Trittico. Suor Angelica is one of these one-act operas, having its premier at the Metropolitan Opera on December 14th, 1918.

Puccini was a master composer, and builder of the dramatic melody. It was because of this, that his operas, and arias from his operas are still some of the most requested compositions of all time. In addition, the intermezzi to some of his operas, not only were used in the performances of these works, but were popular enough to be programmed separately into orchestral concerts.

Puccini orchestrated this, mainly with strings in mind; very light use of woodwinds and brass, and no percussion. My selection of woodwind choir in this arrangement, had its own challenges for me. What sounds perfect for strings, doesn't necessarily sound perfect for woodwinds. How close to Puccini's score was I going to go? Puccini definitely wrote for the voice in mind, and that was my ultimate goal.