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Chorus from Chandos Anthem No. 6, HMW 251b, Fifth movement. Composed by George Frideric Handel. Edited by Robert Duff. Alliance Music Publications #AMP 0884. Published by Alliance Music Publications (AN.AMP-0884).
Handel/Duff.
EDITORIAL NOTES
After arriving in London with a grand reputation as an opera composer, Handel soon proved that he was no less skilled as a composer of church music on a smaller scale. Handel's so-called Chandos Anthems were written as part of his duties as composer-in-residence at Cannons, the opulent mansion of the first Duke of Chandos, between 1717 and 1718.
This chorus is a short, accessible fugal chorus that can be used to teach succinctly, elements of Baroque counterpoint. The middle voice part can be sung by either altos, tenors, or perhaps best, a mixture of the two.
All the Chandos Anthems were composed for strings (without viola) and solo wind instruments, here solo oboe.
Chorus from Chandos Anthem No. 6, HMW 251b, Fifth movement. Composed by George Frideric Handel. Edited by Robert Duff. Alliance Music Publications #AMP 0884. Published by Alliance Music Publications (AN.AMP-0884).
Handel/Duff.
EDITORIAL NOTES
After arriving in London with a grand reputation as an opera composer, Handel soon proved that he was no less skilled as a composer of church music on a smaller scale. Handel's so-called Chandos Anthems were written as part of his duties as composer-in-residence at Cannons, the opulent mansion of the first Duke of Chandos, between 1717 and 1718.
This chorus is a short, accessible fugal chorus that can be used to teach succinctly, elements of Baroque counterpoint. The middle voice part can be sung by either altos, tenors, or perhaps best, a mixture of the two.
All the Chandos Anthems were composed for strings (without viola) and solo wind instruments, here solo oboe.
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