In convertendo Psalm 125. Grand Motet by Jean-Philippe Rameau Flute - Sheet Music

By Jean-Philippe Rameau

The three grands motets, Quam dilecta, In convertendo and Deus noster refugium, which Jean-Philippe Rameau composed from 1713 to 1715 are still relatively unknown today. Being performed in a "concert spirituel" in 1751, In Convertendo was poorly received; this failure long continued to pursue Rameau. Yet these masterworks are testimony to Rameau's great contrapuntal mastery and contain beautiful lyrical passages. Quam dilecta and Deus noster refugium have survived only in later sources which originated in about 1770, after Rameau's death, and the works have been rendered in a scoring which does not correspond to his intentions. The present new edition attempts for the first time to reconstruct them as closely as possible to their original form. The edition of In convertendo is based on Rameau's autograph score from 1751. Score and parts available separately - see item CA.2100800

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Details

Instrument:
Flute Oboe
Genres:
Christian Baroque Period
Composers:
Jean-Philippe Rameau
Publishers:
Carus Verlag
Series:
French Sacred Music
ISBN:
9790007144524
Format:
Set of Parts
Item types:
Physical
Artist:
Jean-Philippe Rameau
Usages:
Psalms
Size:
9 x 12 inches
Shipping Weight:
2.4 pounds

Soli ST[A]BarB, Coro SST(A)TBarB, 2 Fl, 2 Ob, 2 Vl, 2 Va, Vc/Cb, Fg, Bc

SKU: CA.2100819

Psalm 125. Grand Motet. Composed by Jean-Philippe Rameau. Edited by Jean-Paul C. Montagnier. French Sacred Music. In Convertendo (Psalm 125). Sacred vocal music, Psalms, Latin. Set of parts. Duration 26 minutes. Carus Verlag #CV 21.008/19. Published by Carus Verlag (CA.2100819).

ISBN 9790007144524. 9 x 12 inches. Language: Latin.

The three grands motets, Quam dilecta, In convertendo and Deus noster refugium, which Jean-Philippe Rameau composed from 1713 to 1715 are still relatively unknown today. Being performed in a "concert spirituel" in 1751, In Convertendo was poorly received; this failure long continued to pursue Rameau. Yet these masterworks are testimony to Rameau's great contrapuntal mastery and contain beautiful lyrical passages. Quam dilecta and Deus noster refugium have survived only in later sources which originated in about 1770, after Rameau's death, and the works have been rendered in a scoring which does not correspond to his intentions. The present new edition attempts for the first time to reconstruct them as closely as possible to their original form. The edition of In convertendo is based on Rameau's autograph score from 1751. Score and parts available separately - see item CA.2100800.