Composed by Traditional English Melody. Arranged by G. R. Adkison. Christian,Sacred. Score. 4 pages. Gary Ray Adkison #14035. Published by Gary Ray Adkison (A0.953723).
"I Sing the Mighty Power of God" is a 51 measure arrangement for 4-5 octave handbell choir that has three contrasting verses based on the original Christian hymn. The first verse is fairly standard, except that some chord structures are used throughout the arrangement that are not the standard chords used in the original hymn. After the first verse (at the normal tempo) the tempo slows considerably, for a majestic effect, and the very lowest 4 octave bells are used for the melody line. At the same time, the chord structure here is provided by treble clef bells, from the bottom of the treble clef, through the highest note of the 5 octave range. This approach alternates with passages that are up to 5-octave unison passages. The early parts of the third verse are heavy on descant lines---sometimes descant "chords" instead of single-note descants, with a couple of bass runs in this verse, as well. There is a tag at the end---the last musical phrase is repeated with fuller chords at triple forte. There is a very non-standard chord, instead of the normal five-seven chord, right before the last chord. There is a brief shake on the first half of the last melody chord. This is probably about a level 2 degree of difficulty.
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Composed by Traditional English Melody. Arranged by G. R. Adkison. Christian,Sacred. Score. 4 pages. Gary Ray Adkison #14035. Published by Gary Ray Adkison (A0.953723).
"I Sing the Mighty Power of God" is a 51 measure arrangement for 4-5 octave handbell choir that has three contrasting verses based on the original Christian hymn. The first verse is fairly standard, except that some chord structures are used throughout the arrangement that are not the standard chords used in the original hymn. After the first verse (at the normal tempo) the tempo slows considerably, for a majestic effect, and the very lowest 4 octave bells are used for the melody line. At the same time, the chord structure here is provided by treble clef bells, from the bottom of the treble clef, through the highest note of the 5 octave range. This approach alternates with passages that are up to 5-octave unison passages. The early parts of the third verse are heavy on descant lines---sometimes descant "chords" instead of single-note descants, with a couple of bass runs in this verse, as well. There is a tag at the end---the last musical phrase is repeated with fuller chords at triple forte. There is a very non-standard chord, instead of the normal five-seven chord, right before the last chord. There is a brief shake on the first half of the last melody chord. This is probably about a level 2 degree of difficulty.
This product was created by a member of ArrangeMe, Hal Leonard's global
self-publishing community of independent composers, arrangers, and songwriters.
ArrangeMe allows for the publication of unique arrangements of both popular
titles and original compositions from a wide variety of voices and backgrounds.
About Digital Downloads
Digital Downloads are downloadable sheet music files that can be viewed directly on
your computer, tablet or mobile device. Once you download your digital sheet music,
you can view and print it at home, school, or anywhere you want to make music, and
you don't have to be connected to the internet. Just purchase, download and play!
PLEASE NOTE: Your Digital Download will have a watermark at the bottom of each page
that will include your name, purchase date and number of copies purchased. You are
only authorized to print the number of copies that you have purchased. You may not
digitally distribute or print more copies than purchased for use (i.e., you may not
print or digitally distribute individual copies to friends or students).
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