Holy, Holy, Holy (hymn tune NICAEA) — flute and organ by Todd Marchand Flute - Digital Sheet Music

By Todd Marchand

Written by Anglican bishop Reginald Heber (1783-1826) for Trinity Sunday in the liturgical year, “Holy, Holy, Holy” is a hymn that speaks specifically on the Trinity of Father, Son, and Holy Spirit. John Bacchus Dykes (1823–1876), an Anglican priest who wrote more than 300 hymn tunes, composed “NICAEA” to accompany Heber’s text. The tune’s name is a tribute to the First Council of Nicaea, which formalized the doctrine of the Trinity in 325 AD. A lively dance rhythm characterizes this arrangement, which includes a straightforward presentation of the tune by flute in the first verse, a countermelody by flute in the second verse, and a modulation to the final, march-like verse. ©Copyright 2026 Todd Marchand / ConSpiritoMusic.com. All rights reserved. For more sacred, folk, patriotic, and popular music for instruments and voices, search "Con Spirito Music" on this site or visit www.conspiritomusic.com

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Details

Instrument:
Flute Piano
Genres:
Christian Traditional
Publishers:
Con Spirito Music
Series:
ArrangeMe
Format:
Score Score and Part
Item types:
Digital
Level:
Intermediate
Artist:
Todd Marchand
Arrangers:
Todd Marchand
Usages:
School and Community Hymn Anthems
Number of Pages:
5

Flute, Piano, Soprano Flute - Level 3 - Digital Download

SKU: A0.1892461

Composed by J.B.Dykes. Arranged by Todd Marchand. This edition: pdf, streaming. Christian, Sacred, Traditional. Score and part. 5 pages. Con Spirito Music #1451027. Published by Con Spirito Music (A0.1892461).

Written by Anglican bishop Reginald Heber (1783-1826) for Trinity Sunday in the liturgical year, “Holy, Holy, Holy” is a hymn that speaks specifically on the Trinity of Father, Son, and Holy Spirit.

John Bacchus Dykes (1823–1876), an Anglican priest who wrote more than 300 hymn tunes, composed “NICAEA” to accompany Heber’s text. The tune’s name is a tribute to the First Council of Nicaea, which formalized the doctrine of the Trinity in 325 AD.

A lively dance rhythm characterizes this arrangement, which includes a straightforward presentation of the tune by flute in the first verse, a countermelody by flute in the second verse, and a modulation to the final, march-like verse.

©Copyright 2026 Todd Marchand / ConSpiritoMusic.com. All rights reserved. For more sacred, folk, patriotic, and popular music for instruments and voices, search "Con Spirito Music" on this site or visit www.conspiritomusic.com

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This product was created by a member of ArrangeMe, Hal Leonard's self-publishing community for independent composers, arrangers, and songwriters. Discover unique arrangements of popular titles and original compositions from diverse creators. The length, difficulty, and pricing are determined by the arranger or composer.

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