Heures mystiques: Entrées, Offertoires, Offertoire funèbre Heures mystiques: Entrees, Offertoires, Offertoire funebre by Leon Boellmann Organ - Sheet Music

By Leon Boellmann

Lon Boëllmann (1862–1897) studied at the École Niedermeyer and served as titular organist at Saint-Vincent-de-Paul in Paris .Following in the tradition of Saint-Saëns, Franck and Gigout , he wrote music reflecting the elegance and urbanity of the Belle Époque. In 1896 he published a collection of one hundred short pieces for organ or harmonium entitled Heures mystiques. These pieces now form volume III of Helga Schauerte-Maubouet’s practical Urtext edition.The collection is divided into three sub-volumes reflecting the numbering and arrangement of Boëllmann’s autograph fair copy. It offers organists a treasure-trove of easy pieces for use in church services. To play these pieces imaginatively on multi-manual organs, the performer must suitably adapt the musical text; the editor has provided an appendix with registrations for Offertoires I-II (op. 29, nos. 1-2) to serve as examples. In addition to a detailed preface and facsimiles, the edition includes a critical report in three languages and a list of sources.

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Details

Instrument:
Organ Organ Solo
Genres:
Classical
Composers:
Leon Boellmann
Publishers:
Baerenreiter Verlag
Series:
Barenreiter Urtext
ISBN:
9790006521098
Format:
Performance Score Anthology
Item types:
Physical
Artist:
Leon Boellmann
Usages:
School and Community
Size:
11.81 x 9.06 inches
Shipping Weight:
1.21 pounds

Organ

SKU: BA.BA08462

Heures mystiques: Entrees, Offertoires, Offertoire funebre. Composed by Leon Boellmann. Edited by Helga Schauerte-Maubouet. This edition: urtext edition. Paperback. Leon Boellmann. Complete Organ Works III,1 | BARENREITER URTEXT. Performance score, anthology. Baerenreiter Verlag #BA08462. Published by Baerenreiter Verlag (BA.BA08462).

ISBN 9790006521098. 11.81 x 9.06 inches.

Lon Boëllmann (1862–1897) studied at the École Niedermeyer and served as titular organist at Saint-Vincent-de-Paul in Paris .

Following in the tradition of Saint-Saëns, Franck and Gigout , he wrote music reflecting the elegance and urbanity of the Belle Époque. In 1896 he published a collection of one hundred short pieces for organ or harmonium entitled Heures mystiques. These pieces now form volume III of Helga Schauerte-Maubouet’s practical Urtext edition.

The collection is divided into three sub-volumes reflecting the numbering and arrangement of Boëllmann’s autograph fair copy. It offers organists a treasure-trove of easy pieces for use in church services. To play these pieces imaginatively on multi-manual organs, the performer must suitably adapt the musical text; the editor has provided an appendix with registrations for Offertoires I-II (op. 29, nos. 1-2) to serve as examples. In addition to a detailed preface and facsimiles, the edition includes a critical report in three languages and a list of sources.

About Barenreiter Urtext

What can I expect from a Barenreiter Urtext edition?

MUSICOLOGICALLY SOUND
- A reliable musical text based on all available sources
- A description of the sources
- Information on the genesis and history of the work
- Valuable notes on performance practice
- Includes an introduction with critical commentary explaining source discrepancies and editorial decisions

... AND PRACTICAL
- Page-turns, fold-out pages, and cues where you need them
- A well-presented layout and a user-friendly format
- Excellent print quality
- Superior paper and binding