17648215
Hands Up
17648215
17648215
17648215
Copyright Material for Preview Only - Sheet Music Plus
Percussion Ensemble Conga Trio (percussion 1 (conga and brush), percussion 2 (conga and blastick), percussion 3 (conga and mallet)) - medium
SKU: CN.10570
Composed by Josh Gottry. Percussion Music. Score and parts. Duration 2:50. Published by C. Alan Publications (CN.10570).
Hands Up" is a conga trio based loosely on elements of west African djembe rhythms. It is a wonderful exercise in producing quality bass and dead strokes, open tones, and slaps.
Hands Up is a conga trio based loosely on elements of west African djembe rhythms. The piece opens in 12/8 time with a unison statement from the ensemble, then alternates between layered patterns, solo sections for each players, and that original statement. The mid-section of the piece shifts temporarily into 4/4 time and each player utilizes a different implement (brush, blastick, or mallet) on the conga or conga shell. The original feel returns for a short reprise of the opening material. Listen carefully to the variety of sounds drawn from the conga by means of bass and dead strokes, open tones, and slaps.
Percussion Ensemble Conga Trio (percussion 1 (conga and brush), percussion 2 (conga and blastick), percussion 3 (conga and mallet)) - medium
SKU: CN.10570
Composed by Josh Gottry. Percussion Music. Score and parts. Duration 2:50. Published by C. Alan Publications (CN.10570).
Hands Up" is a conga trio based loosely on elements of west African djembe rhythms. It is a wonderful exercise in producing quality bass and dead strokes, open tones, and slaps.
Hands Up is a conga trio based loosely on elements of west African djembe rhythms. The piece opens in 12/8 time with a unison statement from the ensemble, then alternates between layered patterns, solo sections for each players, and that original statement. The mid-section of the piece shifts temporarily into 4/4 time and each player utilizes a different implement (brush, blastick, or mallet) on the conga or conga shell. The original feel returns for a short reprise of the opening material. Listen carefully to the variety of sounds drawn from the conga by means of bass and dead strokes, open tones, and slaps.
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