Handel: Messiah (Der Messias) Hallelujah Chorus (original key of D) - wind dectet by George Frideric Handel Large Ensemble - Digital Sheet Music

By George Frideric Handel

Part II of Handel's Messiah closes with the chorus "Hallelujah", in the key of D major.In many parts of the world, it is the accepted practice for the audience to stand for this section of the performance. The tradition is said to have originated with the first London performance of Messiah, which was attended by King George II. As the first notes of the triumphant Hallelujah Chorus rang out, the king was so moved that he rose to his feet and remained standing until the end of the chorus. Royal protocol has always dictated that when the monarch stands, everyone in the monarch's presence is also required to stand. Thus, the entire audience and orchestra stood when the king stood during the performance, initiating a tradition that has lasted more than two centuries.My arrangement is for standard wind dectet: 2 fl, 2 oboes,2 clt in A, 2 hns in D and 2 bassoons.

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Details

Instrument:
Choir
Ensembles:
Large Ensemble
Genres:
Christian Christmas Baroque Period Wedding
Composers:
George Frideric Handel
Publishers:
RayThompsonMusic
Series:
ArrangeMe
Format:
Score and Parts
Item types:
Digital
Level:
Intermediate
Artist:
George Frideric Handel
Arrangers:
Ray Thompson
Usages:
Christmas
Number of Pages:
27

Large Ensemble - Level 3 - Digital Download

SKU: A0.553419

Composed by George Frideric Handel. Arranged by Ray Thompson. This edition: pdf. Christmas, Classical, Sacred, Wedding. 27 pages. RayThompsonMusic #2551253. Published by RayThompsonMusic (A0.553419).

Part II of Handel's Messiah closes with the chorus "Hallelujah", in the key of D major.
In many parts of the world, it is the accepted practice for the audience to stand for this section of the performance. The tradition is said to have originated with the first London performance of Messiah, which was attended by King George II. As the first notes of the triumphant Hallelujah Chorus rang out, the king was so moved that he rose to his feet and remained standing until the end of the chorus. Royal protocol has always dictated that when the monarch stands, everyone in the monarch's presence is also required to stand. Thus, the entire audience and orchestra stood when the king stood during the performance, initiating a tradition that has lasted more than two centuries.
My arrangement is for standard wind dectet: 2 fl, 2 oboes,2 clt in A, 2 hns in D and 2 bassoons.

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