Guarda in giu for 12 part Choir by Charlotte Seither Mixed Choir - Sheet Music

By Charlotte Seither

The title “Guarda in gui” (Look Down) works on two levels. On the one hand it refers to looking into one’s own self and on the other hand to the low base of this composition which is conceived from the bass and is rich in overtones. The seemingly endless pulsating pedal tones and the spatial impact of the piece are supported by the freely-composed non semantic syllables which have a compelling effect. The text lacks a semantic meaning but is rich in abundant colourfulness and an immense force of expression. The intricacy of voices above the bass which combines differentiated vowel sounds as well as noise sounds reflects Charlotte Seither's perception of the voice as the most direct human form of expression.

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Details

Instrument:
Choir
Ensembles:
Mixed Choir
Composers:
Charlotte Seither
Publishers:
Baerenreiter Verlag
Series:
Women Composers and Arrangers
ISBN:
9790006542673
Format:
Vocal Score
Item types:
Physical
Artist:
Charlotte Seither
Usages:
School and Community
Number of Pages:
58
Size:
16.3 x 11.61 inches
Shipping Weight:
11.04 pounds

Mixed choir: SSSAAATTTBBB - Level 4

SKU: BA.BA11027

Composed by Charlotte Seither. Stapled. Choral score. Composed 2011. 58 pages. Duration 13 minutes. Baerenreiter Verlag #BA11027. Published by Baerenreiter Verlag (BA.BA11027).

ISBN 9790006542673. 16.3 x 11.61 inches. Language: German.

The title “Guarda in gui” (Look Down) works on two levels. On the one hand it refers to looking into one’s own self and on the other hand to the low base of this composition which is conceived from the bass and is rich in overtones. The seemingly endless pulsating pedal tones and the spatial impact of the piece are supported by the freely-composed non semantic syllables which have a compelling effect. The text lacks a semantic meaning but is rich in abundant colourfulness and an immense force of expression. The intricacy of voices above the bass which combines differentiated vowel sounds as well as noise sounds reflects Charlotte Seither's perception of the voice as the most direct human form of expression.