Composed by Jean-Baptiste Lully. Edited by Philippe Lescat, Jean Saint-Arroman. This edition: Facsimile. La Musique Francaise Classique de 1650 a 1800. Sacred. Full score, orchestral parts, libretto. Anne Fuzeau Productions - France #5497. Published by Anne Fuzeau Productions - France (FZ.5497).
ISBN 9790230654975. 24.00 x 32.50 cm inches.
This facsimile of an original and the manuscript by Jean-Baptiste Lully is part of our French classical music collection. Documents : Partition manuscrite (Philidor). Parties separees (Ballard, 1684). Our facsimile edition includes the full score in a copy from the Philidor workshop, the orchestral parts in the original Ballard edition (1684), and the libretto of the grands motets (Ballard, 1703). Preface by: Philippe Lescat: bibliographical details. Jean Saint-Arroman: performance of Lully's works. Collection supervised by the musicologist Jean Saint-Arroman, professor at the Conservatoire National Superieur de Musique et de Danse of Paris and at the CEFEDEM Ile de France (Training Centre for Music Teachers). He is the author of the majority of our prefaces and has also been involved in library searches. Facsimile of copies from: - National Library of Paris (France). - Sainte Genevieve Library of Paris (France). - Municipal Library of Valenciennes (France). Anne Fuzeau Classique propose period copies of classical music scores.
Composed by Jean-Baptiste Lully. Edited by Philippe Lescat, Jean Saint-Arroman. This edition: Facsimile. La Musique Francaise Classique de 1650 a 1800. Sacred. Full score, orchestral parts, libretto. Anne Fuzeau Productions - France #5497. Published by Anne Fuzeau Productions - France (FZ.5497).
ISBN 9790230654975. 24.00 x 32.50 cm inches.
This facsimile of an original and the manuscript by Jean-Baptiste Lully is part of our French classical music collection. Documents : Partition manuscrite (Philidor). Parties separees (Ballard, 1684). Our facsimile edition includes the full score in a copy from the Philidor workshop, the orchestral parts in the original Ballard edition (1684), and the libretto of the grands motets (Ballard, 1703). Preface by: Philippe Lescat: bibliographical details. Jean Saint-Arroman: performance of Lully's works. Collection supervised by the musicologist Jean Saint-Arroman, professor at the Conservatoire National Superieur de Musique et de Danse of Paris and at the CEFEDEM Ile de France (Training Centre for Music Teachers). He is the author of the majority of our prefaces and has also been involved in library searches. Facsimile of copies from: - National Library of Paris (France). - Sainte Genevieve Library of Paris (France). - Municipal Library of Valenciennes (France). Anne Fuzeau Classique propose period copies of classical music scores.
Preview: Grand motet dies irae (1683)
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