625180
Gloria in G major
625180
625180
625180
Copyright Material for Preview Only - Sheet Music Plus
SATB vocal soli, SATB choir, 2 flutes, 2 oboes, 1 bassoon, 2 horns, 3 violins, 2 violas, cello, basso continuo
SKU: CA.3810909
Composed by Johann Christian Bach. Edited by Traugott Fedtke. Arranged by Traugott Fedtke. This edition: urtext. 1x 38.109/21 flute 1, 1x 38.109/22 flute 2, 1x 38.109/23 oboe 1, 1x 38.109/24 oboe 2, 1x 38.109/25 bassoon, 1x 38.109/31 horn 1, 1x 38.109/32 horn 2. Stuttgart Urtext Edition: Bach vocal. Gloria In G E. Sacred vocal music, Mass sections. Set of Orchestra Parts. Warb CW E 4. 88 pages. Duration 55 minutes. Carus Verlag #CV 38.109/09. Published by Carus Verlag (CA.3810909).
ISBN 9790007054304. Language: Latin.
While the solos in earlier masses form an integral part of the structure of the entire work, Christian Bach made the solo sections independent in the sense of the Neopolitan school. The orchestra is occupied with longer preludes and rustling figures. In the eleven movements, Bach was able to unite the compositional techniques and expressivity of the Baroque with the beautiful sound of an Italian cantilena. From the forward by Traugott Fedtke. Score and parts available separately - see item CA.3810900.
SATB vocal soli, SATB choir, 2 flutes, 2 oboes, 1 bassoon, 2 horns, 3 violins, 2 violas, cello, basso continuo
SKU: CA.3810909
Composed by Johann Christian Bach. Edited by Traugott Fedtke. Arranged by Traugott Fedtke. This edition: urtext. 1x 38.109/21 flute 1, 1x 38.109/22 flute 2, 1x 38.109/23 oboe 1, 1x 38.109/24 oboe 2, 1x 38.109/25 bassoon, 1x 38.109/31 horn 1, 1x 38.109/32 horn 2. Stuttgart Urtext Edition: Bach vocal. Gloria In G E. Sacred vocal music, Mass sections. Set of Orchestra Parts. Warb CW E 4. 88 pages. Duration 55 minutes. Carus Verlag #CV 38.109/09. Published by Carus Verlag (CA.3810909).
ISBN 9790007054304. Language: Latin.
While the solos in earlier masses form an integral part of the structure of the entire work, Christian Bach made the solo sections independent in the sense of the Neopolitan school. The orchestra is occupied with longer preludes and rustling figures. In the eleven movements, Bach was able to unite the compositional techniques and expressivity of the Baroque with the beautiful sound of an Italian cantilena. From the forward by Traugott Fedtke. Score and parts available separately - see item CA.3810900.
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