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The six and seven-part motets, nos. 13-29. Composed by Heinrich Schutz. Edited by Werner Breig. This edition: urtext edition. Paperback. Barenreiter Urtext. Choral score, anthology. SWV 381-397. 224 pages. Baerenreiter Verlag #BA05902. Published by Baerenreiter Verlag (BA.BA05902).
ISBN 9790006535460. 10.63 x 7.48 inches. Language: German.
With the publication of the six and seven-part motets, a revised version of the “Geistliche Chor-Music” is now complete.
As Schütz wrote in his foreword to the collection, all parts to the motets can be performed vocally and/or instrumentally. These motets offer smaller choirs and ensembles new possibilities to perform these works, based on historically-informed performance practice. The basso continuo realization follows the composer’s intention of using the score merely as a basis for performance, but with its relatively simple realization, it also allows performers to create their own version.
About Barenreiter Urtext
What can I expect from a Barenreiter Urtext edition?
MUSICOLOGICALLY SOUND - A reliable musical text based on all available sources - A description of the sources - Information on the genesis and history of the work - Valuable notes on performance practice - Includes an introduction with critical commentary explaining source discrepancies and editorial decisions
... AND PRACTICAL - Page-turns, fold-out pages, and cues where you need them - A well-presented layout and a user-friendly format - Excellent print quality - Superior paper and binding
The six and seven-part motets, nos. 13-29. Composed by Heinrich Schutz. Edited by Werner Breig. This edition: urtext edition. Paperback. Barenreiter Urtext. Choral score, anthology. SWV 381-397. 224 pages. Baerenreiter Verlag #BA05902. Published by Baerenreiter Verlag (BA.BA05902).
ISBN 9790006535460. 10.63 x 7.48 inches. Language: German.
With the publication of the six and seven-part motets, a revised version of the “Geistliche Chor-Music” is now complete.
As Schütz wrote in his foreword to the collection, all parts to the motets can be performed vocally and/or instrumentally. These motets offer smaller choirs and ensembles new possibilities to perform these works, based on historically-informed performance practice. The basso continuo realization follows the composer’s intention of using the score merely as a basis for performance, but with its relatively simple realization, it also allows performers to create their own version.
About Barenreiter Urtext
What can I expect from a Barenreiter Urtext edition?
MUSICOLOGICALLY SOUND - A reliable musical text based on all available sources - A description of the sources - Information on the genesis and history of the work - Valuable notes on performance practice - Includes an introduction with critical commentary explaining source discrepancies and editorial decisions
... AND PRACTICAL - Page-turns, fold-out pages, and cues where you need them - A well-presented layout and a user-friendly format - Excellent print quality - Superior paper and binding
Preview: Geistliche Chor-Music SWV 381-397
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