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Fuoco E Lagrime
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22255362
22255362
Copyright Material for Preview Only - Sheet Music Plus
Piano Accompaniment; Soprano (Soprano)
SKU: HL.49046394
Songs for Soprano and Piano. Composed by Anno Schreier. Vocal Solo. Classical. Softcover. 48 pages. Duration 1200 seconds. Schott Music #ED23190. Published by Schott Music (HL.49046394).
ISBN 9781540086570. UPC: 840126910186. 9.0x12.0 inches.
In 2010 I lived in Rome as a Villa Massimo scholarship holder. During my time there I came across a few poems by Michelangelo that touched me a lot and soon had the plan to set some of them to music. But I wanted to combine it with something contemporary - just like in Rome the old and the new always meet. The poet Marcel Beyer, whom I met in Rome, then wrote the cycle of poems Die Grillmeisterin for me, which takes up many motifs from the Michelangelo texts (fire, tears, getting burned, loneliness, etc.). I then alternately combined this cycle of poems with the Michelangelo poems. The Italian songs have a sometimes melancholy, sometimes dramatic character, while the German songs are rather bizarre, sometimes even humorous. Despite these contrasts in character, there are also many musical connections between the German and Italian songs. Individual motifs and chord sequences sometimes return in completely different contexts, and there is even a direct connection between the first and last song, in that the same vocal line is underlaid with a completely different text. This creates a musical framework that holds the very heterogeneous selection of texts together. –Anno Schreier.
Piano Accompaniment; Soprano (Soprano)
SKU: HL.49046394
Songs for Soprano and Piano. Composed by Anno Schreier. Vocal Solo. Classical. Softcover. 48 pages. Duration 1200 seconds. Schott Music #ED23190. Published by Schott Music (HL.49046394).
ISBN 9781540086570. UPC: 840126910186. 9.0x12.0 inches.
In 2010 I lived in Rome as a Villa Massimo scholarship holder. During my time there I came across a few poems by Michelangelo that touched me a lot and soon had the plan to set some of them to music. But I wanted to combine it with something contemporary - just like in Rome the old and the new always meet. The poet Marcel Beyer, whom I met in Rome, then wrote the cycle of poems Die Grillmeisterin for me, which takes up many motifs from the Michelangelo texts (fire, tears, getting burned, loneliness, etc.). I then alternately combined this cycle of poems with the Michelangelo poems. The Italian songs have a sometimes melancholy, sometimes dramatic character, while the German songs are rather bizarre, sometimes even humorous. Despite these contrasts in character, there are also many musical connections between the German and Italian songs. Individual motifs and chord sequences sometimes return in completely different contexts, and there is even a direct connection between the first and last song, in that the same vocal line is underlaid with a completely different text. This creates a musical framework that holds the very heterogeneous selection of texts together. –Anno Schreier.
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