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  • From the deepest comes our plea by Christoph Graupner 4-Part - Sheet Music
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From the deepest comes our plea by Christoph Graupner 4-Part - Sheet Music

By Christoph Graupner

The cantata Aus der Tiefen rufen wir, GWV 1113/23a, by Christoph Graupner was written as a trial composition for the cantorate of the Thomaskirche left vacant by the death of Johann Kuhnau. It was performed in Leipzig on the 2nd Sunday after Epiphany in 1723 along with a number of other such audition pieces. This expressive cantata essentially consists of a single large-scale multi-part choral movement with solo sections. The powerful opening chorus draws its effect from the tutti passages with brass-intensified tutti sections contrasting with more restrained solos. This continues into the second movement, which is situated between arioso and accompagnato – again with full instrumentation and choral parts. A repetition of the opening is followed by another choir-solo interchange, culminating in a choral fugue. The fact that this cantata departs so radically from Bach’s model is a salutary reminder of the wholly different path that church music could have taken in Leipzig from 1723.

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Details

Instrument:
Choir Trombone
Ensembles:
4-Part SATB
Genres:
Christian Baroque Period
Composers:
Christoph Graupner
Publishers:
Carus Verlag
ISBN:
9790007025328
Format:
Score
Item types:
Physical
Musical forms:
Cantata
Artist:
Christoph Graupner
Usages:
Epiphany
Size:
8.27 x 11.69 inches
Shipping Weight:
0.39 pounds

Soli SATB, Coro SATB, 2 Ob, 2 Vl, Va, Bc, [1 Tr, 3 Trb]

SKU: CA.1035200

Composed by Christoph Graupner. This edition: Paperbound. Carus digital: Sheet music as PDF. Sacred vocal music, Cantatas, Epiphany. Full score. Composed 1723. GWV. Duration 16 minutes. Carus Verlag #CV 10.352/00. Published by Carus Verlag (CA.1035200).

ISBN 9790007025328. 8.27 x 11.69 inches. Language: German/English.

The cantata Aus der Tiefen rufen wir, GWV 1113/23a, by Christoph Graupner was written as a trial composition for the cantorate of the Thomaskirche left vacant by the death of Johann Kuhnau. It was performed in Leipzig on the 2nd Sunday after Epiphany in 1723 along with a number of other such audition pieces. This expressive cantata essentially consists of a single large-scale multi-part choral movement with solo sections. The powerful opening chorus draws its effect from the tutti passages with brass-intensified tutti sections contrasting with more restrained solos. This continues into the second movement, which is situated between arioso and accompagnato – again with full instrumentation and choral parts. A repetition of the opening is followed by another choir-solo interchange, culminating in a choral fugue. The fact that this cantata departs so radically from Bach’s model is a salutary reminder of the wholly different path that church music could have taken in Leipzig from 1723.

More by this Composer:
Christoph Graupner Christoph Graupner High Voice Christoph Graupner Voice Solo Christoph Graupner Basso Continuo
Instrument:
Vocal Choir Brass Trombone
Artists:
Christoph Graupner
Ensemble:
4-Part SATB
Publisher:
Carus Verlag