19794578
From heav’n on high
19794578
19794578
19794578
Copyright Material for Preview Only - Sheet Music Plus
Orchestra solo voices, SSATB chorus, 2 Fl, orchestra - Grade 3
SKU: CA.4018919
Cantata based on Luther’s Christmas chorale. Composed by Felix Bartholdy Mendelssohn and Martin Luther. Edited by Karen Lehmann. This edition: urtext. Stuttgart Urtext Edition: Mendelssohn. German title: Vom Himmel Hoch, Da Komm Ich Her. Innovative practice aids, Sacred vocal music, Cantatas, Christmas. Set of parts. Composed 1831. MWV. Duration 16 minutes. Carus Verlag #CV 40.189/19. Published by Carus Verlag (CA.4018919).
ISBN 9790007134563. 8.27 x 11.69 inches. Language: German/English. Text: Martin Luther.
During Mendelssohns years of study with Zelter, the arrangement of chorales already played an important role, and he continued to be occupied with the protestant chorale throughout his symphonic and oratorical work. The break of Bach’s works in connection with the reperformance of the "St. Matthew Passion" led to a series of cantatas based on well-known chorale melodies for choir, instruments, and sometimes also for soloists. / Thanks to an arrangement by Stäuble (Carus 40.189/50), it is possible to perform the work in smaller settings.
Orchestra solo voices, SSATB chorus, 2 Fl, orchestra - Grade 3
SKU: CA.4018919
Cantata based on Luther’s Christmas chorale. Composed by Felix Bartholdy Mendelssohn and Martin Luther. Edited by Karen Lehmann. This edition: urtext. Stuttgart Urtext Edition: Mendelssohn. German title: Vom Himmel Hoch, Da Komm Ich Her. Innovative practice aids, Sacred vocal music, Cantatas, Christmas. Set of parts. Composed 1831. MWV. Duration 16 minutes. Carus Verlag #CV 40.189/19. Published by Carus Verlag (CA.4018919).
ISBN 9790007134563. 8.27 x 11.69 inches. Language: German/English. Text: Martin Luther.
During Mendelssohns years of study with Zelter, the arrangement of chorales already played an important role, and he continued to be occupied with the protestant chorale throughout his symphonic and oratorical work. The break of Bach’s works in connection with the reperformance of the "St. Matthew Passion" led to a series of cantatas based on well-known chorale melodies for choir, instruments, and sometimes also for soloists. / Thanks to an arrangement by Stäuble (Carus 40.189/50), it is possible to perform the work in smaller settings.
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