Frederic Chopin - Nocturne In E-Flat Major, Op. 9, No. 2 by Frederic Chopin Piano Solo - Digital Sheet Music

By Frederic Chopin

Chopin composed his best-known Nocturne in E♭ major, Op. 9, No. 2 when he was around twenty years old. This well-known nocturne is in rounded binary form (A, A, B, A, B, A) with coda, C. It is 34 measures long and written in 12 8 meter, having a similar structure to a waltz. The A and B sections become increasingly ornamented with each recurrence. The penultimate bar utilizes considerable rhythmic freedom, indicated by the instruction, senza tempo (without tempo). The nocturne opens with a legato melody, mostly played piano (quietly), containing graceful upward leaps which becomes increasingly wide as the line unfolds. This melody is heard again three times during the piece. With each repetition, it is varied by ever more elaborate decorative tones and trills. The nocturne also includes a subordinate melody, which is played with rubato. A sonorous foundation for the melodic line is provided by the widely spaced notes in the accompaniment, connected by the damper pedal. The waltz-like accompaniment gently emphasizes the 12 8 meter, 12 beats to the measure subdivided into four groups of 3 beats each.

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Details

Format:
Score
Item types:
Digital
Level:
Late Intermediate
Artist:
Frederic Chopin
Arrangers:
Frederic Chopin
Usages:
School and Community
Number of Pages:
3

Piano, Piano Solo - Level 4 - Digital Download

SKU: A0.1143547

By Frederic Chopin. By Frederic Chopin. Arranged by Frederic Chopin. This edition: pdf, streaming. Classical, Contemporary, Romantic Period. Score. 3 pages. Unimusic Academy (Academia Unimusica) #743864. Published by Unimusic Academy (Academia Unimusica) (A0.1143547).

Chopin composed his best-known Nocturne in E♭ major, Op. 9, No. 2 when he was around twenty years old. This well-known nocturne is in rounded binary form (A, A, B, A, B, A) with coda, C. It is 34 measures long and written in 12 8 meter, having a similar structure to a waltz. The A and B sections become increasingly ornamented with each recurrence. The penultimate bar utilizes considerable rhythmic freedom, indicated by the instruction, senza tempo (without tempo). The nocturne opens with a legato melody, mostly played piano (quietly), containing graceful upward leaps which becomes increasingly wide as the line unfolds. This melody is heard again three times during the piece. With each repetition, it is varied by ever more elaborate decorative tones and trills. The nocturne also includes a subordinate melody, which is played with rubato. A sonorous foundation for the melodic line is provided by the widely spaced notes in the accompaniment, connected by the damper pedal. The waltz-like accompaniment gently emphasizes the 12 8 meter, 12 beats to the measure subdivided into four groups of 3 beats each.

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