Fragments für Sopran solo op. 20 nach Gedichten von A. József by Gyorgy Kurtag A Cappella - Sheet Music

By Gyorgy Kurtag

For a Hungarian composer, writing music set to the poems of Attila József is no small feat. In this series, György Kurtág (* 1926) took on this immense challenge in a unique way even within his own oeuvre: the loneliness of the unaccompanied, single voice line simultaneously evokes the musical world of Hungarian folk songs or even 17th-century monody. The poems - rather the fragments, the seeds of poetry abandoned by the poet - capture strong, realistic images and human situations that are characteristic of Attila József. As he is wont to do with his compositions, Kurtág transforms these poetic images into equally unforgettable musical images, drawing an atmosphere ofcontemplation, despair, boredom, happiness, and fear of death with just a few sounds. This composition was premiered on October 26, 1982 in Budapest by Adrienne Csengery, the recipient of the work s dedication. (Hungaroton HCD 31821)

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Details

Instrument:
Choir Voice
Ensembles:
A Cappella
Genres:
20th Century Contemporary
Composers:
Gyorgy Kurtag
Publishers:
Editio Musica Budapest
Item types:
Physical
Artist:
Gyorgy Kurtag
Usages:
School and Community
Number of Pages:
38
Shipping Weight:
0.69 pounds

Voice a Cappella

SKU: PR.EMB12304

Nach Gedichten von A. József. Composed by Gyorgy Kurtag. Contemporary Music. Book Only. Composed 1985. 38 pages. Editio Musica Budapest #EMBZ12304. Published by Editio Musica Budapest (PR.EMB12304).

English-German-Hungarian.

For a Hungarian composer, writing music set to the poems of Attila József is no small feat. In this series, György Kurtág (* 1926) took on this immense challenge in a unique way even within his own oeuvre: the loneliness of the unaccompanied, single voice line simultaneously evokes the musical world of Hungarian folk songs or even 17th-century monody. The poems - rather the fragments, the seeds of poetry abandoned by the poet - capture strong, realistic images and human situations that are characteristic of Attila József. As he is wont to do with his compositions, Kurtág transforms these poetic images into equally unforgettable musical images, drawing an atmosphere ofcontemplation, despair, boredom, happiness, and fear of death with just a few sounds. This composition was premiered on October 26, 1982 in Budapest by Adrienne Csengery, the recipient of the work s dedication. (Hungaroton HCD 31821).