18225564
Formule 1
18225564
18225564
18225564
Copyright Material for Preview Only - Sheet Music Plus
Concert Band - Grade 3
SKU: ML.012218070-S
Composed by Mickey Nicolas. Original Works: Light Music Repertoire. Molenaar Original Compositions. Recorded on Listening to Paris (ML.311072720). Score only. Duration 4 minutes, 30 seconds. Molenaar Edition #012218070-S. Published by Molenaar Edition (ML.012218070-S).
Met deze sublieme compositie van Mickey Nicolas waant u zich aanwezig bij een Formule 1 wedstrijd: de binaire maat verbeeldt de verbrandingsmotor, de overdreven effecten op de pauken roepen het voorbijrazen van de racewagens op, de herhaalde ritmen en riffs suggereren de spanning en de geluidsatmosfeer van de koers, terwijl de antwoorden in canonvorm op het thema de inhaalmanœuvres uitbeelden. Om de competitie af te ronden is er vanzelfsprekend de champagnefles die voor de winnaar ontkurkt wordt.
To realize this sequence, the composer fancied to imagine a Formula One race at Monza. The binary beat portrays the combustion engine. The exaggerated effects and nuances with the timpani evoke the race cars rushing past. The repeated rhythms and riffs suggest the tension and the sound atmosphere of the race, while the answers in canon form to the theme refer to the overtaking (passing) manœuvres. At the end of the race, the traditional bottle of champagne is uncorked to toast at the imaginary pilot’s victory.
Pour réaliser cette séquence, le compositeur s’est plu à imaginer une compétition automobile à Monza. Le temps binaire image le moteur à explosion. Les effets exagérés en nuances de la timbale évoquent le passage des bolides devant soi. Les rythmes et riffs répétitifs suggèrent la tension et l’ambiance sonore de la course et les réponses du thème en canon les dépassements. Et, naturellement, pour clore la compétition, le bouchon de champagne saute à la victoire du pilote imaginaire.
Um diese Sequenz zu realisieren, wollte der Komponist sich ein Formel 1 Wettkampf in Monza einbilden. Der zweiteilige Takt stellt der Explosionsmotor dar. Die übertriebenen Effekte bei den Pauken beschwören die vorbeirasenden Wagen herauf. Die wiederholten Rhythmen und Riffs suggerieren die Spannung und die Klangwirkung des Rennens und die Antworten in Kanonform auf das Thema suggereieren die Überholmanöver. Selbstverständlich wird am Ende, bei dem Sieg des imaginären Piloten, die Champagnerflasche entkorkt.
Instrumentation
0 Full Score A3
1 Full Score
1 Piccolo
4 Flute I
4 Flute II
2 Oboe
1 English Horn
1 Bassoon I
1 Bassoon II
1 Clarinet Eb
5 Clarinet I
5 Clarinet II
5 Clarinet III
1 Bass Clarinet
2 Alto Saxophone I
2 Alto Saxophone II
2 Tenor Saxophone
1 Baritone Saxophone
2 Cornet I
2 Cornet II
2 Trumpet I
2 Trumpet II
2 Trumpet III
2 Horn I Eb
2 Horn I F
1 Horn II Eb
1 Horn II F
1 Horn III Eb
1 Horn III F
2 Trombone I C
1 Trombone I Bb (TC)
1 Trombone I Bb (BC)
2 Trombone II C
1 Trombone II Bb (TC)
1 Trombone II Bb (BC)
2 Trombone III C
1 Trombone III Bb (TC)
1 Trombone III Bb (BC)
2 Baritone C
2 Baritone Bb (BC)
4 Baritone Bb (TC)
2 Bas Bb (TC)
2 Bas Bb (BC)
2 Bas Eb (TC)
2 Bas Eb (BC)
4 Tuba C
1 Stringbass
1 Percussion I
1 Percussion II
1 Percussion III
1 Percussion IV
1 Percussion Various
1 Drums
1 Timpani.
Concert Band - Grade 3
SKU: ML.012218070-S
Composed by Mickey Nicolas. Original Works: Light Music Repertoire. Molenaar Original Compositions. Recorded on Listening to Paris (ML.311072720). Score only. Duration 4 minutes, 30 seconds. Molenaar Edition #012218070-S. Published by Molenaar Edition (ML.012218070-S).
Met deze sublieme compositie van Mickey Nicolas waant u zich aanwezig bij een Formule 1 wedstrijd: de binaire maat verbeeldt de verbrandingsmotor, de overdreven effecten op de pauken roepen het voorbijrazen van de racewagens op, de herhaalde ritmen en riffs suggereren de spanning en de geluidsatmosfeer van de koers, terwijl de antwoorden in canonvorm op het thema de inhaalmanœuvres uitbeelden. Om de competitie af te ronden is er vanzelfsprekend de champagnefles die voor de winnaar ontkurkt wordt.
To realize this sequence, the composer fancied to imagine a Formula One race at Monza. The binary beat portrays the combustion engine. The exaggerated effects and nuances with the timpani evoke the race cars rushing past. The repeated rhythms and riffs suggest the tension and the sound atmosphere of the race, while the answers in canon form to the theme refer to the overtaking (passing) manœuvres. At the end of the race, the traditional bottle of champagne is uncorked to toast at the imaginary pilot’s victory.
Pour réaliser cette séquence, le compositeur s’est plu à imaginer une compétition automobile à Monza. Le temps binaire image le moteur à explosion. Les effets exagérés en nuances de la timbale évoquent le passage des bolides devant soi. Les rythmes et riffs répétitifs suggèrent la tension et l’ambiance sonore de la course et les réponses du thème en canon les dépassements. Et, naturellement, pour clore la compétition, le bouchon de champagne saute à la victoire du pilote imaginaire.
Um diese Sequenz zu realisieren, wollte der Komponist sich ein Formel 1 Wettkampf in Monza einbilden. Der zweiteilige Takt stellt der Explosionsmotor dar. Die übertriebenen Effekte bei den Pauken beschwören die vorbeirasenden Wagen herauf. Die wiederholten Rhythmen und Riffs suggerieren die Spannung und die Klangwirkung des Rennens und die Antworten in Kanonform auf das Thema suggereieren die Überholmanöver. Selbstverständlich wird am Ende, bei dem Sieg des imaginären Piloten, die Champagnerflasche entkorkt.
Instrumentation
0 Full Score A3
1 Full Score
1 Piccolo
4 Flute I
4 Flute II
2 Oboe
1 English Horn
1 Bassoon I
1 Bassoon II
1 Clarinet Eb
5 Clarinet I
5 Clarinet II
5 Clarinet III
1 Bass Clarinet
2 Alto Saxophone I
2 Alto Saxophone II
2 Tenor Saxophone
1 Baritone Saxophone
2 Cornet I
2 Cornet II
2 Trumpet I
2 Trumpet II
2 Trumpet III
2 Horn I Eb
2 Horn I F
1 Horn II Eb
1 Horn II F
1 Horn III Eb
1 Horn III F
2 Trombone I C
1 Trombone I Bb (TC)
1 Trombone I Bb (BC)
2 Trombone II C
1 Trombone II Bb (TC)
1 Trombone II Bb (BC)
2 Trombone III C
1 Trombone III Bb (TC)
1 Trombone III Bb (BC)
2 Baritone C
2 Baritone Bb (BC)
4 Baritone Bb (TC)
2 Bas Bb (TC)
2 Bas Bb (BC)
2 Bas Eb (TC)
2 Bas Eb (BC)
4 Tuba C
1 Stringbass
1 Percussion I
1 Percussion II
1 Percussion III
1 Percussion IV
1 Percussion Various
1 Drums
1 Timpani.
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