20681076
For me to live is Jesus
20681076
20681076
20681076
Copyright Material for Preview Only - Sheet Music Plus
Organ (Soli STB, Coro SATB, 2 Ob/2 Obda, Cor (Ctto), 2 Vl, Va, Bc) - Grade 3
SKU: CA.3109549
Cantata for the 16th Sunday after Trinity. Composed by Johann Sebastian Bach. Edited by Reinhold Kubik. Arranged by Paul Horn. Organ. Sacred vocal music, Cantatas. Individual part. Composed 1723. BWV 95. 20 pages. Duration 21 minutes. Carus Verlag #CV 31.095/49. Published by Carus Verlag (CA.3109549).
ISBN 9790007206970. 9 x 12 inches. Key: G major. Language: German/English.
Unique in Bach’s oeuvre is the opening chorus from the cantata Christus, der ist mein Leben (Christ, He is my Life), BWV 95, composed for the 16th Sunday after Trinity in 1723. It features two different chorales interrupted by a tenor solo. Also exceptional are the musical interludes performed by cornett and two oboes between the lines of the second of those chorales. This double-chorale movement is followed (after a secco recitative) by another chorale, now performed by solo soprano and two oboes d’amore. In the cantata’s only aria, the ravishingly beautiful "Ach, schlage doch bald" for tenor, the oboes d’amore again take the instrumental lead with the strings providing a pizzicato accompaniment recalling the striking of funeral bells. A bass recitative brings us to the fourth and final chorale of this extraordinary cantata.
Organ (Soli STB, Coro SATB, 2 Ob/2 Obda, Cor (Ctto), 2 Vl, Va, Bc) - Grade 3
SKU: CA.3109549
Cantata for the 16th Sunday after Trinity. Composed by Johann Sebastian Bach. Edited by Reinhold Kubik. Arranged by Paul Horn. Organ. Sacred vocal music, Cantatas. Individual part. Composed 1723. BWV 95. 20 pages. Duration 21 minutes. Carus Verlag #CV 31.095/49. Published by Carus Verlag (CA.3109549).
ISBN 9790007206970. 9 x 12 inches. Key: G major. Language: German/English.
Unique in Bach’s oeuvre is the opening chorus from the cantata Christus, der ist mein Leben (Christ, He is my Life), BWV 95, composed for the 16th Sunday after Trinity in 1723. It features two different chorales interrupted by a tenor solo. Also exceptional are the musical interludes performed by cornett and two oboes between the lines of the second of those chorales. This double-chorale movement is followed (after a secco recitative) by another chorale, now performed by solo soprano and two oboes d’amore. In the cantata’s only aria, the ravishingly beautiful "Ach, schlage doch bald" for tenor, the oboes d’amore again take the instrumental lead with the strings providing a pizzicato accompaniment recalling the striking of funeral bells. A bass recitative brings us to the fourth and final chorale of this extraordinary cantata.
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