Fire in Song Small Ensemble - Digital Sheet Music

Fire in Song tells the creation story about fire told by the Yolngu group of Aboriginal Australians who live primarily in north-east Arnhem Land in the Northern T erritory. The work was written during the catastrophic bush fires that swept much of Australia in 2019-2020. It reflects on the Aboriginal approach to the fires, one that remained largely ignored in news coverage at the time.The work is in seven movements:I The World's LamentII Bandicoot and the Hollow LogIII Quail and the Burning T wigIV Honey Bees and the Paperbark SwampV Honey Bees and the Tall GrassVI Baru the Saltwater Crocodile and the Ancient FireVII Lament for the Whole WorldThe outer movements provide a contemporary context - dark, abrasive commentaries on the current extreme climatic events with the central movements based on Aboriginal songs and dances from Northern and Central Australia. The story of fire's creation by Baru the Saltwater Crocodile and the joyful unification of clans as it was spread across Australia by animals, insects and birds is recited by percussionists to the pulse of Aboriginal clapsticks:'Fire in ancestral times scorched the ground where the creation ancestors had gathered to enact the law - the secret knowledge that held their power. Fire was brought to the Madarrpa clan country by Bäru, the ancestral Saltwater Crocodile. It spread north and swept through the ceremonial ground. From this ground, the fire spread further to other sites. The fire spread inland from the ceremonial ground and burnt the nest of Wangurra (Bandicoot) forcing him to hide in a hollow log (larrakitj) to save himself. Djirrikitj, the Quail, picked up a burning twig from this fire and flew away with it, dropping it at Matamata. There is a large paperbark swamp at Matamata, where native honey bees live. Fire from the burning twig dropped by Djirrikitj took hold of the tall grass in the swamp area and the native bees fled to Djiliwirri in Gupapuyŋu clan country.Thus, Gupapuyŋu honey and Gumatj quail are linked through fire. Through fire, bandicoot, quail and honey bee the clans are linked. Through ceremonies the ancestral lands are linked - linked through fire in songs.'Fire in Song was commissioned by Gemini with funds from a private donor and premiered on 2 May 2020 in the Late Music York Festival at the Unitarian Chapel, Cripplegate, York. It is dedicated to David Lumsdaine and Ian Mitchell, teachers and supporters both.

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Details

Instrument:
Clarinet Percussion Viola
Ensembles:
Small Ensemble
Genres:
21st Century
Publishers:
UYMP
Series:
ArrangeMe
Format:
Score and Parts
Item types:
Digital
Usages:
School and Community
Number of Pages:
45

Small Ensemble Clarinet, Percussion, Viola - Digital Download

SKU: A0.1720887

Composed by Sadie Harrison. This edition: pdf. 21st Century. 45 pages. UYMP #1284018. Published by UYMP (A0.1720887).

Fire in Song tells the creation story about fire told by the Yolngu group of Aboriginal Australians who live primarily in north-east Arnhem Land in the Northern T erritory. The work was written during the catastrophic bush fires that swept much of Australia in 2019-2020. It reflects on the Aboriginal approach to the fires, one that remained largely ignored in news coverage at the time.

The work is in seven movements:

I The World's Lament

II Bandicoot and the Hollow Log

III Quail and the Burning T wig

IV Honey Bees and the Paperbark Swamp

V Honey Bees and the Tall Grass

VI Baru the Saltwater Crocodile and the Ancient Fire

VII Lament for the Whole World

The outer movements provide a contemporary context - dark, abrasive commentaries on the current extreme climatic events with the central movements based on Aboriginal songs and dances from Northern and Central Australia. The story of fire's creation by Baru the Saltwater Crocodile and the joyful unification of clans as it was spread across Australia by animals, insects and birds is recited by percussionists to the pulse of Aboriginal clapsticks:

'Fire in ancestral times scorched the ground where the creation ancestors had gathered to enact the law - the secret knowledge that held their power. Fire was brought to the Madarrpa clan country by Bäru, the ancestral Saltwater Crocodile. It spread north and swept through the ceremonial ground. From this ground, the fire spread further to other sites. The fire spread inland from the ceremonial ground and burnt the nest of Wangurra (Bandicoot) forcing him to hide in a hollow log (larrakitj) to save himself. Djirrikitj, the Quail, picked up a burning twig from this fire and flew away with it, dropping it at Matamata. There is a large paperbark swamp at Matamata, where native honey bees live. Fire from the burning twig dropped by Djirrikitj took hold of the tall grass in the swamp area and the native bees fled to Djiliwirri in Gupapuyŋu clan country.

Thus, Gupapuyŋu honey and Gumatj quail are linked through fire. Through fire, bandicoot, quail and honey bee the clans are linked. Through ceremonies the ancestral lands are linked - linked through fire in songs.'

Fire in Song was commissioned by Gemini with funds from a private donor and premiered on 2 May 2020 in the Late Music York Festival at the Unitarian Chapel, Cripplegate, York. It is dedicated to David Lumsdaine and Ian Mitchell, teachers and supporters both.

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ArrangeMe:
UYMP
Series:
ArrangeMe
Instrument:
Woodwinds Clarinet Percussion Percussion Strings Viola
Ensemble:
Small Ensemble
Publisher:
UYMP