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Composed by Benedetto Vinaccesi. Edited by Michael Talbot. Voice (Soprano) & Basso Continuo. Baroque. Full score and parts. Duration 8:00. Edition HH Music Publishers #HH106-FSP. Published by Edition HH Music Publishers (HH.HH106-FSP).
ISBN 9790708041566. 8.27 x 11.69 inches.
Since it does not appear in Ottoboni’s Trattenimenti poetici and fails to exhibit one of his most consistent stylistic ‘trademarks’ – the use of end rhyme throughout the recitative stanzas (i.e., not merely in a final couplet) – the text for Filli, un solo tuo sguardo is probably by another, as yet unknown, author. Its subject is the familar one of the timid lover, too embarrassed to confess his love but tormented beyond endurance if he does not do so. The text comprises three arias, each introduced by a short recitative. This ‘RARARA’ structure, common enough in the later seventeenth century, tends to give way to a ‘RARA’ or even ‘ARA’ structure in the eighteenth century and is here a conservative feature.
Composed by Benedetto Vinaccesi. Edited by Michael Talbot. Voice (Soprano) & Basso Continuo. Baroque. Full score and parts. Duration 8:00. Edition HH Music Publishers #HH106-FSP. Published by Edition HH Music Publishers (HH.HH106-FSP).
ISBN 9790708041566. 8.27 x 11.69 inches.
Since it does not appear in Ottoboni’s Trattenimenti poetici and fails to exhibit one of his most consistent stylistic ‘trademarks’ – the use of end rhyme throughout the recitative stanzas (i.e., not merely in a final couplet) – the text for Filli, un solo tuo sguardo is probably by another, as yet unknown, author. Its subject is the familar one of the timid lover, too embarrassed to confess his love but tormented beyond endurance if he does not do so. The text comprises three arias, each introduced by a short recitative. This ‘RARARA’ structure, common enough in the later seventeenth century, tends to give way to a ‘RARA’ or even ‘ARA’ structure in the eighteenth century and is here a conservative feature.
Preview: Filli, un solo tuo sguardo
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