19897746
Fidelity
19897746
19897746
19897746
Copyright Material for Preview Only - Sheet Music Plus
Chamber Music baritone voice Piano, tenor voice
SKU: PR.141400800
For Tenor (Or Soprano), Baritone and Piano. Composed by David Leisner. This edition: saddle-wire stitch. Sws. Premiere: Bruce Fowler, Robert Osborne, Warren Jones; Jordan Hall, New England Conservatory, Boston. Contemporary. Score. With Standard notation. Composed 1996. 44 pages. Duration 0:25:00. Theodore Presser Company #141-40080. Published by Theodore Presser Company (PR.141400800).
UPC: 680160593996. 8.5 x 11 inches. Key: G dorian. Text: Leslie Marmon Silko; Kenneth Patchen; May Swenson; Walt Whitman; William Meredith; Wendell Berry. Various. Poems by May Swenson, Walt Whitman, William Meredith, Wendell Berry, Kenneth Patchen, and Leslie Marmon Silko.
Fidelity is Leisner's contemplation of a long-term monogamous relationship, built upon eight selected poems which reflect various aspects. The cycle imparts a range of moods and styles, and the accompaniment is not overly demanding. Originally written for two male voices, the tenor part may be substituted with soprano. For advanced performers. Duration: 25'.
Chamber Music baritone voice Piano, tenor voice
SKU: PR.141400800
For Tenor (Or Soprano), Baritone and Piano. Composed by David Leisner. This edition: saddle-wire stitch. Sws. Premiere: Bruce Fowler, Robert Osborne, Warren Jones; Jordan Hall, New England Conservatory, Boston. Contemporary. Score. With Standard notation. Composed 1996. 44 pages. Duration 0:25:00. Theodore Presser Company #141-40080. Published by Theodore Presser Company (PR.141400800).
UPC: 680160593996. 8.5 x 11 inches. Key: G dorian. Text: Leslie Marmon Silko; Kenneth Patchen; May Swenson; Walt Whitman; William Meredith; Wendell Berry. Various. Poems by May Swenson, Walt Whitman, William Meredith, Wendell Berry, Kenneth Patchen, and Leslie Marmon Silko.
Fidelity is Leisner's contemplation of a long-term monogamous relationship, built upon eight selected poems which reflect various aspects. The cycle imparts a range of moods and styles, and the accompaniment is not overly demanding. Originally written for two male voices, the tenor part may be substituted with soprano. For advanced performers. Duration: 25'.
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