21959550
Fantasia
21959550
21959550
21959550
Copyright Material for Preview Only - Sheet Music Plus
Piano Accompaniment; Viola (Score and Solo Part) - advanced
SKU: HL.49046384
For Viola and Piano. Composed by Naji Hakim. This edition: Saddle stitching. Sheet music. String Solo. Diese in Liedform geschriebene Fantasie entwickelt eine ausdrucksstarke Melodie in es-Moll. Ihr charakteristischer jambischer Rhythmus kundigt sich in den ersten Takten der ostinaten Klavierbegleitung an. Classical. Softcover. 12 pages. Duration 420 seconds. Schott Music #VAB98. Published by Schott Music (HL.49046384).
ISBN 9781540086471. UPC: 842819108283. 9.0x12.0x0.079 inches.
This fantasy in song form, develops an expressive melody in Eb minor. Its characteristic iambic rhythm is announced in the initial bars of the ostinato piano accompaniment. The central section contrasts by its diversified themes and its tonal mobility. A tight recapitulation in the treble register is dramatically interrupted before the coda. Collected and harmonically dense, the last bars resound like a last breath, tone painting the 'in manus tuas domine commendo spiritum meum' (Ps. 31,6).
Piano Accompaniment; Viola (Score and Solo Part) - advanced
SKU: HL.49046384
For Viola and Piano. Composed by Naji Hakim. This edition: Saddle stitching. Sheet music. String Solo. Diese in Liedform geschriebene Fantasie entwickelt eine ausdrucksstarke Melodie in es-Moll. Ihr charakteristischer jambischer Rhythmus kundigt sich in den ersten Takten der ostinaten Klavierbegleitung an. Classical. Softcover. 12 pages. Duration 420 seconds. Schott Music #VAB98. Published by Schott Music (HL.49046384).
ISBN 9781540086471. UPC: 842819108283. 9.0x12.0x0.079 inches.
This fantasy in song form, develops an expressive melody in Eb minor. Its characteristic iambic rhythm is announced in the initial bars of the ostinato piano accompaniment. The central section contrasts by its diversified themes and its tonal mobility. A tight recapitulation in the treble register is dramatically interrupted before the coda. Collected and harmonically dense, the last bars resound like a last breath, tone painting the 'in manus tuas domine commendo spiritum meum' (Ps. 31,6).
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