17414592
Falling
17414592
17414592
17414592
Copyright Material for Preview Only - Sheet Music Plus
Chamber Music Soprano Voice, Piano
SKU: CF.V2491
Four Songs for Mezzo Soprano and Piano. Composed by Martin Bresnick. Score. With Standard notation. Carl Fischer Music #V2491. Published by Carl Fischer Music (CF.V2491).
ISBN 9780825865183. UPC: 798408065188. 9 X 12 inches. Text: David Bottoms; Kathryn Stripling Byer. Kathryn Byer; David Bottoms.
Falling is a song cycle based on two poems by Kathryn Stripling Byers (Snowbird and Lost Soul) and excerpts from David Bottoms’ longer three-part poem, In a U-Haul North of Damascus. The poems have been arranged in a sequence that forms a four-part narrative of conflict, separation and the possibility of consolation and renewal. Full of restless energy and bursts of passionate lyricism, Falling is a challenging work for a mature singer. The vocal range calls for a singer who can rise to the high B above that treble staff and descend to the F sharp below the piano part. This piece is transcribed from the orchestral original by the composer and Arthur Bloom, edited by Lisa Moore, and is challenging but idiomatic. The score and parts for the orchestral version are available from the publisher’s rental department.
Chamber Music Soprano Voice, Piano
SKU: CF.V2491
Four Songs for Mezzo Soprano and Piano. Composed by Martin Bresnick. Score. With Standard notation. Carl Fischer Music #V2491. Published by Carl Fischer Music (CF.V2491).
ISBN 9780825865183. UPC: 798408065188. 9 X 12 inches. Text: David Bottoms; Kathryn Stripling Byer. Kathryn Byer; David Bottoms.
Falling is a song cycle based on two poems by Kathryn Stripling Byers (Snowbird and Lost Soul) and excerpts from David Bottoms’ longer three-part poem, In a U-Haul North of Damascus. The poems have been arranged in a sequence that forms a four-part narrative of conflict, separation and the possibility of consolation and renewal. Full of restless energy and bursts of passionate lyricism, Falling is a challenging work for a mature singer. The vocal range calls for a singer who can rise to the high B above that treble staff and descend to the F sharp below the piano part. This piece is transcribed from the orchestral original by the composer and Arthur Bloom, edited by Lisa Moore, and is challenging but idiomatic. The score and parts for the orchestral version are available from the publisher’s rental department.
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