20169124
Factus est repente
20169124
20169124
20169124
Copyright Material for Preview Only - Sheet Music Plus
SATB choir, organ (optional)
SKU: C5.7042
Composed by Gregor Aichinger. Edited by James Morrison. Text: Acts 2:2,4. Renaissance treasure. Pentecost, Confirmation. Octavo. Published by CanticaNOVA Publications (C5.7042).
Gregor Aichinger (1565-1628) was a German organist and composer. To his Marian Easter antiphon, Regina coeli, we add a Pentecost motet in our catalog. A colleague wrote of the composer: "Aichinger in particular distinguishes himself by a warmth and tenderness of feeling bordering on mellowness, which is everywhere imbued with deep devotion." This motet uses the text for the Communion Antiphon for Pentecost Sunday. James Morrison, who edited the work, includes a chanted English translation which can be sung prior to the motet: "Suddenly from heaven there came a sound like the rush of a violent wind, and it filled the entire house where they were sitting, alleluia: and they were filled with the Holy Spirit, and began to speak of the wonderful works of God, alleluia, alleluia" [Acts 2:2,4]. Renaissance polyphony is strongly advocated by Sacrosanctum concilium [Vatican II], and this fine example would make a fitting addition to the Pentecost/Confirmation repertoire.
SATB choir, organ (optional)
SKU: C5.7042
Composed by Gregor Aichinger. Edited by James Morrison. Text: Acts 2:2,4. Renaissance treasure. Pentecost, Confirmation. Octavo. Published by CanticaNOVA Publications (C5.7042).
Gregor Aichinger (1565-1628) was a German organist and composer. To his Marian Easter antiphon, Regina coeli, we add a Pentecost motet in our catalog. A colleague wrote of the composer: "Aichinger in particular distinguishes himself by a warmth and tenderness of feeling bordering on mellowness, which is everywhere imbued with deep devotion." This motet uses the text for the Communion Antiphon for Pentecost Sunday. James Morrison, who edited the work, includes a chanted English translation which can be sung prior to the motet: "Suddenly from heaven there came a sound like the rush of a violent wind, and it filled the entire house where they were sitting, alleluia: and they were filled with the Holy Spirit, and began to speak of the wonderful works of God, alleluia, alleluia" [Acts 2:2,4]. Renaissance polyphony is strongly advocated by Sacrosanctum concilium [Vatican II], and this fine example would make a fitting addition to the Pentecost/Confirmation repertoire.
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