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Exultate Justi
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21313130
Copyright Material for Preview Only - Sheet Music Plus
Choral SSA Choir and Piano
SKU: CF.BL1057
Composed by Dan Davison. Octavo. Octavo. 12 pages. Duration 0:02:41. BriLee Music #BL1057. Published by BriLee Music (CF.BL1057).
UPC: 680160911684. 6.875 x 10.5 inches. Key: Eb major. Latin. Traditional Latin.
Please use NOTES from SA(T)B BL1031 and replace the 2nd paragraph with the following: When a counterpoint section occurs, keep in mind that only one part can be dominant at a time. For example, at letter A, the altos have the spotlight. However, when the second sopranos enter two measures later, the second sopranos should have the spotlight, and the altos must sing softer in order to let the second sopranos dominate. Two measures later, both second sopranos and altos must sing softer as the first sopranos take the spotlight. The important point to remember about counterpoint is that the singers must learn the art of "taking turns" being dominant.
Please use NOTES from SA(T)B BL1031 and replace the 2nd paragraph with the following:When a counterpoint section occurs, keep in mind that only one part can be dominant at a time. For example, at letter A, the altos have the spotlight. However, when the second sopranos enter two measures later, the second sopranos should have the spotlight, and the altos must sing softer in order to let the second sopranos dominate. Two measures later, both second sopranos and altos must sing softer as the first sopranos take the spotlight. The important point to remember about counterpoint is that the singers must learn the art of "taking turns" being dominant.
Choral SSA Choir and Piano
SKU: CF.BL1057
Composed by Dan Davison. Octavo. Octavo. 12 pages. Duration 0:02:41. BriLee Music #BL1057. Published by BriLee Music (CF.BL1057).
UPC: 680160911684. 6.875 x 10.5 inches. Key: Eb major. Latin. Traditional Latin.
Please use NOTES from SA(T)B BL1031 and replace the 2nd paragraph with the following: When a counterpoint section occurs, keep in mind that only one part can be dominant at a time. For example, at letter A, the altos have the spotlight. However, when the second sopranos enter two measures later, the second sopranos should have the spotlight, and the altos must sing softer in order to let the second sopranos dominate. Two measures later, both second sopranos and altos must sing softer as the first sopranos take the spotlight. The important point to remember about counterpoint is that the singers must learn the art of "taking turns" being dominant.
Please use NOTES from SA(T)B BL1031 and replace the 2nd paragraph with the following:When a counterpoint section occurs, keep in mind that only one part can be dominant at a time. For example, at letter A, the altos have the spotlight. However, when the second sopranos enter two measures later, the second sopranos should have the spotlight, and the altos must sing softer in order to let the second sopranos dominate. Two measures later, both second sopranos and altos must sing softer as the first sopranos take the spotlight. The important point to remember about counterpoint is that the singers must learn the art of "taking turns" being dominant.
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