Etwas Zurückhaltend String Quartet Set of Parts by James Macmillan String Quartet - Sheet Music

By James Macmillan

Etwas zurückhaltend was written in 1982 when the composer was a student at the University of Durham. The piece was forgotten until 2009, when MacMillan realised that much within its ideas seemed current and relevant to his recent work. The title comes from Wagner's indication for the final pages of Götterdämmerung, and the work reflects an ongoing interest in this composer which has been reflected at various points since in MacMillan's work. Allusions to motifs from The Ring are never far away. The work ends with a tentative and tense coda, with nods still being made in the direction of The Ring's final Immolation Scene.

Print edition
$37.28
$72.00
You save: $34.72 ~ 48%

WELCOME20 activated

In Stock
Usually ships within 24 hours.
Quantity save 5% on 2 or more
1
Get a 10% discount with SMP Plus subscription

Details

Instrument:
Cello Viola Violin
Ensembles:
String Quartet
Genres:
Classical
Composers:
James Macmillan
Publishers:
Boosey & Hawkes
Series:
Boosey & Hawkes Chamber Music
UPC:
196288278023
ISBN:
9781784544522
Format:
Set of Parts Collection / Songbook
Item types:
Physical
Artist:
James Macmillan
Usages:
School and Community
Size:
9.0x12.0x0.161 inches
Number of Pages:
58
Shipping Weight:
0.64 pounds

Set of Parts String Quartet (Parts)

SKU: HL.48025463

String Quartet Set of Parts. Composed by James Macmillan. Boosey & Hawkes Chamber Music. Chamber, Classical. Softcover. 58 pages. Duration 1260 seconds. Boosey & Hawkes #M060135200. Published by Boosey & Hawkes (HL.48025463).

ISBN 9781784544522. UPC: 196288278023. 9.0x12.0x0.161 inches.

Etwas zurückhaltend was written in 1982 when the composer was a student at the University of Durham. The piece was forgotten until 2009, when MacMillan realised that much within its ideas seemed current and relevant to his recent work. The title comes from Wagner's indication for the final pages of Götterdämmerung, and the work reflects an ongoing interest in this composer which has been reflected at various points since in MacMillan's work. Allusions to motifs from The Ring are never far away. The work ends with a tentative and tense coda, with nods still being made in the direction of The Ring's final Immolation Scene.