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SATB choir, assembly, organ accompaniment, trumpet 1 in B-flat, trumpet 1 in C, trumpet 2 in B-flat, trumpet 2 in C, horn in f, trombone 1, trombone 2, tuba, timpani - Early intermediate
SKU: GI.G-8993
Concertato on MELITA. Composed by John Bacchus Dykes. Arranged by Robert J. Powell. Ordinary Time 12 B. Choral. Tune Name: Melita. Sacred. Octavo. 12 pages. GIA Publications #8993. Published by GIA Publications (GI.G-8993).
UPC: 785147899303. English. Text Source: William Whiting, 1825–1878, alt. Text by William Whiting.
An exciting fanfare by brass and organ sets up the opening unison stanza of this moving arrangement. The a cappella third stanza is independent and quieter. Perhaps not surprisingly, the concluding stanza is tutti, complete with a soaring soprano descant. Note that the brass quintet is necessary for a performance of this concertato (horn in F may substitute for trombone I). The organ part is included in both the full score and octavo editions. Horn in F can be substituted for Trombone I.
SATB choir, assembly, organ accompaniment, trumpet 1 in B-flat, trumpet 1 in C, trumpet 2 in B-flat, trumpet 2 in C, horn in f, trombone 1, trombone 2, tuba, timpani - Early intermediate
SKU: GI.G-8993
Concertato on MELITA. Composed by John Bacchus Dykes. Arranged by Robert J. Powell. Ordinary Time 12 B. Choral. Tune Name: Melita. Sacred. Octavo. 12 pages. GIA Publications #8993. Published by GIA Publications (GI.G-8993).
UPC: 785147899303. English. Text Source: William Whiting, 1825–1878, alt. Text by William Whiting.
An exciting fanfare by brass and organ sets up the opening unison stanza of this moving arrangement. The a cappella third stanza is independent and quieter. Perhaps not surprisingly, the concluding stanza is tutti, complete with a soaring soprano descant. Note that the brass quintet is necessary for a performance of this concertato (horn in F may substitute for trombone I). The organ part is included in both the full score and octavo editions. Horn in F can be substituted for Trombone I.
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