20474581
Es steh Gott auf
20474581
20474581
20474581
Copyright Material for Preview Only - Sheet Music Plus
Chorus and piano (solos: SSAB – choir: SSATB – 0.0.0.0 – 0.2.3.0 – timp – str – bc)
SKU: BR.EB-32093
Cantata for Easter – Urtext. Composed by Johann Kuhnau. Edited by David Erler. This edition: stapled. Choir; stapled. Edition Breitkopf. Cantata; Baroque. Piano/Vocal Score. 12 pages. Duration 10:00. Breitkopf and Haertel #EB 32093. Published by Breitkopf and Haertel (BR.EB-32093).
ISBN 9790004186718. 7.5 x 10.5 inches.
The cantata Es steh Gott auf is intended for Easter. The editor was able to identify a poem by Christian Weise (1642–1708), which has received little attention to date, as the source text. Kuhnau was in close contact with Weise in Zittau, so the cantata could have been written in direct chronological connection with the printing of the original text in 1682. However, the earliest date of performance noted on the title page of the cantata is only 1703 in Grimma, thus already in his time as Thomaskantor (from 1701). On the other hand, no further church music contributions are documented from this early period of his tenure, and such a large gap to the origin of the text seems unlikely.
The cantata is well suited for use in church services because of its short length and not-too-large instrumentation. Through the transmission in the form of a set of parts, the participation of ripieno singers, which can be taken over by a choir, is also proven.
Audio samples: Opella Musica, camerata lipsiensis, cond. Gregor Meyer (cpo, 2013).
Chorus and piano (solos: SSAB – choir: SSATB – 0.0.0.0 – 0.2.3.0 – timp – str – bc)
SKU: BR.EB-32093
Cantata for Easter – Urtext. Composed by Johann Kuhnau. Edited by David Erler. This edition: stapled. Choir; stapled. Edition Breitkopf. Cantata; Baroque. Piano/Vocal Score. 12 pages. Duration 10:00. Breitkopf and Haertel #EB 32093. Published by Breitkopf and Haertel (BR.EB-32093).
ISBN 9790004186718. 7.5 x 10.5 inches.
The cantata Es steh Gott auf is intended for Easter. The editor was able to identify a poem by Christian Weise (1642–1708), which has received little attention to date, as the source text. Kuhnau was in close contact with Weise in Zittau, so the cantata could have been written in direct chronological connection with the printing of the original text in 1682. However, the earliest date of performance noted on the title page of the cantata is only 1703 in Grimma, thus already in his time as Thomaskantor (from 1701). On the other hand, no further church music contributions are documented from this early period of his tenure, and such a large gap to the origin of the text seems unlikely.
The cantata is well suited for use in church services because of its short length and not-too-large instrumentation. Through the transmission in the form of a set of parts, the participation of ripieno singers, which can be taken over by a choir, is also proven.
Audio samples: Opella Musica, camerata lipsiensis, cond. Gregor Meyer (cpo, 2013).
Tell a friend (or remind yourself) about this product. We'll instantly send an email containing product info and a link to it. You may also enter a personal message.
We do not use or store email addresses from this form for any other purpose than sending your share email.
Read our Privacy Policy.
After purchase, you can download your MP3 from your Sheet Music Plus Digital Library - no software installation is necessary! You can also listen to your MP3 at any time in your Digital Library.
After purchase, you can download your Smart Music from your Sheet Music Plus Digital Library - no software installation is necessary! You can also download at any time in your Digital Library.
After purchase you can download your video from your Digital Library. Your video is in XX format and is playable on most pre-installed video players.
