Engelslicht und Dornenschatten Lieder für eine stille Weihnachtszeit Voice - Sheet Music

In "Engelslicht und Dornenschatten," the author invites us to listen to well-known Christmas carols in a new spirit, beyond all hoary cliches. The "Lieder fur eine stille Weihnachtszeit" and especially the different instrumental accompaniments grew out of improvisation and the desire to encourage the formative creativity of the musicians. The arrangements correspond to the recordings on the eponymous CD known through radio broadcasts. "I sought new approaches to the carols. My fingers played accompaniments as if on their own, my voice made repeats where there were none, and did away with some of the carols original form. It was as if something within me was searching for a counter-magic to thwart the force of habit and the automatism with which Christmas carols are often sung and heard." (Christine Maria Rembeck)

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Details

Instrument:
Piano Accompaniment Voice
Genres:
Classical Christmas Carols
Publishers:
Breitkopf and Haertel
ISBN:
9790004183984
Format:
Score
Item types:
Physical
Usages:
Christmas
Number of Pages:
76
Size:
9 x 12 inches
Shipping Weight:
0.84 pounds

Voices and piano

SKU: BR.EB-8834

Lieder für eine stille Weihnachtszeit. Composed by Christine Maria Rembeck. Edited by Christoph Koop. Voice; Softbound. Edition Breitkopf. Music pedagogy; Song. Score. 76 pages. Breitkopf and Haertel #EB 8834. Published by Breitkopf and Haertel (BR.EB-8834).

ISBN 9790004183984. 9 x 12 inches. German.

In "Engelslicht und Dornenschatten," the author invites us to listen to well-known Christmas carols in a new spirit, beyond all hoary cliches. The "Lieder fur eine stille Weihnachtszeit" and especially the different instrumental accompaniments grew out of improvisation and the desire to encourage the formative creativity of the musicians. The arrangements correspond to the recordings on the eponymous CD known through radio broadcasts. "I sought new approaches to the carols. My fingers played accompaniments as if on their own, my voice made repeats where there were none, and did away with some of the carols original form. It was as if something within me was searching for a counter-magic to thwart the force of habit and the automatism with which Christmas carols are often sung and heard." (Christine Maria Rembeck).