19260788
Eisler-Studien
19260788
19260788
19260788
Copyright Material for Preview Only - Sheet Music Plus
Instruments/parts
SKU: BR.BV-383
Beiträge zu einer kritischen Musikwissenschaft. Composed by Peter Schweinhardt. Edited by Peter Schweinhardt. Softbound. Buchverlag Breitkopf & Hartel (Music Books).
Zur Theorie und Praxis von Hanns Eislers Filmmusik
Book. 280 pages. Breitkopf and Haertel #BV 383. Published by Breitkopf and Haertel (BR.BV-383).
ISBN 9783765103834. 6.5 x 9.5 inches.
Hanns Eisler's film music has been a subject of increasing interest in recent years, in the context of significant new source materials and DVD editions as well as innovative scholarly approaches to music and film. Whereas Eisler's reputation as a film composer was previously defined by the book "Composing for the Films", written in collaboration with Theodor W. Adorno, it is now his 40-odd film scores themselves which are the object of detailed investigation. The present collection of essays covers a wide range of films, from "Niemandsland" (1931) to "Esther" (1962). The twelve authors from Germany, Great Britain, Mexico, Spain, and the USA employ wide-ranging approaches to film music analysis in their treatment of the subject, while also considering the question of the extent to which Eisler actually fulfilled his own theoretical demands. It is not surprising that the authors of the third "Eisler Studien" have come up with refreshingly diverse and highly rewarding results.
Instruments/parts
SKU: BR.BV-383
Beiträge zu einer kritischen Musikwissenschaft. Composed by Peter Schweinhardt. Edited by Peter Schweinhardt. Softbound. Buchverlag Breitkopf & Hartel (Music Books).
Zur Theorie und Praxis von Hanns Eislers Filmmusik
Book. 280 pages. Breitkopf and Haertel #BV 383. Published by Breitkopf and Haertel (BR.BV-383).
ISBN 9783765103834. 6.5 x 9.5 inches.
Hanns Eisler's film music has been a subject of increasing interest in recent years, in the context of significant new source materials and DVD editions as well as innovative scholarly approaches to music and film. Whereas Eisler's reputation as a film composer was previously defined by the book "Composing for the Films", written in collaboration with Theodor W. Adorno, it is now his 40-odd film scores themselves which are the object of detailed investigation. The present collection of essays covers a wide range of films, from "Niemandsland" (1931) to "Esther" (1962). The twelve authors from Germany, Great Britain, Mexico, Spain, and the USA employ wide-ranging approaches to film music analysis in their treatment of the subject, while also considering the question of the extent to which Eisler actually fulfilled his own theoretical demands. It is not surprising that the authors of the third "Eisler Studien" have come up with refreshingly diverse and highly rewarding results.
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