6323452
Egmont Op. 84
6323452
6323452
6323452
Copyright Material for Preview Only - Sheet Music Plus
Orchestra (2(picc).2.2.2 – 4.2.0.0 – timp.perc – str)
SKU: BR.PB-14640
Overture to J. W. v. Goethe's Tragedy – Urtext from the new Beethoven Complete Edition. Composed by Ludwig van Beethoven. Edited by Helmut Hell. Orchestra; stapled. Partitur-Bibliothek (Score Library). The study score (,,Studien-Edition) is available at G. Henle Verlag. Overture; Classical. Full score. 44 pages. Duration 9'. Breitkopf and Haertel #PB 14640. Published by Breitkopf and Haertel (BR.PB-14640).
ISBN 9790004211090. 10 x 12.5 inches.
The autograph of the incidental music to Egmont is located at the Staatsbibliothek zu Berlin Preussischer Kulturbesitz. It is, however, lacking precisely the Overture, of which only three scribal copies corrected by Beethoven have survived as manuscript sources. Particularly important is the manuscipt preserved in the collections of the Beethoven-Haus in Bonn, since this is the one into which Beethoven entered all the corrections made with respect to the autograph, no doubt during the rehearsals for the first performances.
Orchestra (2(picc).2.2.2 – 4.2.0.0 – timp.perc – str)
SKU: BR.PB-14640
Overture to J. W. v. Goethe's Tragedy – Urtext from the new Beethoven Complete Edition. Composed by Ludwig van Beethoven. Edited by Helmut Hell. Orchestra; stapled. Partitur-Bibliothek (Score Library). The study score (,,Studien-Edition) is available at G. Henle Verlag. Overture; Classical. Full score. 44 pages. Duration 9'. Breitkopf and Haertel #PB 14640. Published by Breitkopf and Haertel (BR.PB-14640).
ISBN 9790004211090. 10 x 12.5 inches.
The autograph of the incidental music to Egmont is located at the Staatsbibliothek zu Berlin Preussischer Kulturbesitz. It is, however, lacking precisely the Overture, of which only three scribal copies corrected by Beethoven have survived as manuscript sources. Particularly important is the manuscipt preserved in the collections of the Beethoven-Haus in Bonn, since this is the one into which Beethoven entered all the corrections made with respect to the autograph, no doubt during the rehearsals for the first performances.
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