Dvorak - Ballade Op 15 No 1 Violin/Piano for Violin and Piano by Antonin Dvorak Violin Solo - Sheet Music

By Antonin Dvorak

Written late in 1884 shortly after he completed his Seventh Symphony, the Ballade was written for a Christmas edition of the London Magazine of Music. Written in the brooding key of D minor it is another example of Dvorak's genius in devising small scale works of incredible emotional depth. The outer sections are characterised the almost constant crotchet movement of gloomy chords in the piano while the violin spins a haunting melody much higher in the register. The central Allegro agitato offers contrast in the form of a brief, virtuosic, almost angry explosion with cascading arpeggio figures in the piano and dramatic, declamatory gestures in the violin. The final section returns to the brooding opening material but with more extensively suppressed dynamic. The piece finishes with an almost imperceptible ascent into ethereal silence. (The Steinberg Duo, Louisa Stonehill - Violin, Nicholas Burns - Piano)

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Details

Instrument:
Piano Accompaniment Violin Solo
Genres:
Romantic Period
Composers:
Antonin Dvorak
Publishers:
Carus Verlag
Format:
Collection / Songbook
Item types:
Physical
Instructionals:
Repertoire Books
Artist:
Antonin Dvorak
Usages:
School and Community
Size:
12 x 9 x 0.1 inches
Number of Pages:
12
Shipping Weight:
1.09 pounds

Violin, Piano

SKU: HU.CV4057940

For Violin and Piano. Composed by Antonin Dvorak. Strings, Repertoire, Solos. Ballade Op. 15 No. 1. Softcover Book. 12 pages. Carus Verlag #CV4057940. Published by Carus Verlag (HU.CV4057940).

12 x 9 x 0.1 inches.

Written late in 1884 shortly after he completed his Seventh Symphony, the Ballade was written for a Christmas edition of the London Magazine of Music. Written in the brooding key of D minor it is another example of Dvorak's genius in devising small scale works of incredible emotional depth. The outer sections are characterised the almost constant crotchet movement of gloomy chords in the piano while the violin spins a haunting melody much higher in the register. The central Allegro agitato offers contrast in the form of a brief, virtuosic, almost angry explosion with cascading arpeggio figures in the piano and dramatic, declamatory gestures in the violin. The final section returns to the brooding opening material but with more extensively suppressed dynamic. The piece finishes with an almost imperceptible ascent into ethereal silence. (The Steinberg Duo, Louisa Stonehill - Violin, Nicholas Burns - Piano).