2658190
Duo Op. 8
2658190
2658190
2658190
Copyright Material for Preview Only - Sheet Music Plus
Cello and piano
SKU: BR.EB-5574
Composed by Miklos Rozsa. Solo instruments; stapled. Edition Breitkopf. Early modern. Score. Composed 1931. 32 pages. Duration 20:00. Breitkopf and Haertel #EB 5574. Published by Breitkopf and Haertel (BR.EB-5574).
ISBN 9790004164464. 9 x 12 inches.
Miklos Rozsa's Duo for Cello and Piano op. 8 dates from his student days in Leipzig and is dedicated to Julius Klengel, who was a professor there. It was to be the last work performed in public by the dedicatee before his death. The duo consists of two movements. The first is in sonata form, the second is a variation movement. The latter is not uncommon in Rozsa's work and evokes associations with, for example, Ludwig van Beethoven's last piano sonata op. 111. The work is tonal, with C major serving as the center for long stretches. In addition, however, there are numerous modal passages. Just as typical for Rozsa are echoes of the folk music of his Hungarian homeland. He tried to express with the means of modern music what his compatriots wanted to express with their folk music.Bibliography:Bally, Juliane: Miklos Rozsa. Ausbildung und kammermusikalisches Fruhwerk als Basis fur das filmmusikalische Schaffen am Beispiel Ben Hur, Saarbrucken: PFAU 2012, pp. 122-134.
Cello and piano
SKU: BR.EB-5574
Composed by Miklos Rozsa. Solo instruments; stapled. Edition Breitkopf. Early modern. Score. Composed 1931. 32 pages. Duration 20:00. Breitkopf and Haertel #EB 5574. Published by Breitkopf and Haertel (BR.EB-5574).
ISBN 9790004164464. 9 x 12 inches.
Miklos Rozsa's Duo for Cello and Piano op. 8 dates from his student days in Leipzig and is dedicated to Julius Klengel, who was a professor there. It was to be the last work performed in public by the dedicatee before his death. The duo consists of two movements. The first is in sonata form, the second is a variation movement. The latter is not uncommon in Rozsa's work and evokes associations with, for example, Ludwig van Beethoven's last piano sonata op. 111. The work is tonal, with C major serving as the center for long stretches. In addition, however, there are numerous modal passages. Just as typical for Rozsa are echoes of the folk music of his Hungarian homeland. He tried to express with the means of modern music what his compatriots wanted to express with their folk music.Bibliography:Bally, Juliane: Miklos Rozsa. Ausbildung und kammermusikalisches Fruhwerk als Basis fur das filmmusikalische Schaffen am Beispiel Ben Hur, Saarbrucken: PFAU 2012, pp. 122-134.
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