Drei geistliche Konzerte für Solostimmen oder Chor und Basso continuo by Johann Vierdanck 3-Part - Sheet Music

By Johann Vierdanck

Johann Vierdanck (1605-1646) was a choirboy in Dresden and a pupil of Heinrich Schütz. After short stays in Lübeck and Copenhagen he became an organist at St Mary's in Stralsund. His 1641 collection of 45 „sacred concerts“ appeared in several editions reflecting its popularity among his contemporaries. All the settings are based on Luther's translation of the Bible and are related stylistically to Heinrich Schütz's „Symphoniae sacrae“ (1629) and “Kleine geistliche Konzerte” (1636). The three psalm settings in this volume are ideally suited for small choirs or solo voices in church or concert performance.

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Details

Instrument:
Choir Organ Accompaniment Soprano Voice Bass Voice Basso Continuo
Ensembles:
3-Part SAB Mixed Choir
Genres:
Classical
Composers:
Johann Vierdanck
Publishers:
Baerenreiter Verlag
Series:
Chor-Archiv
ISBN:
9790006498673
Format:
Vocal Score Anthology
Item types:
Physical
Musical forms:
Concerto
Artist:
Johann Vierdanck
Usages:
School and Community
Number of Pages:
24
Size:
10.63 x 7.48 inches
Shipping Weight:
2 pounds

2 solo soprano voice, solo bass voice, basso continuo or Mixed choir: SAB, organ (Soprano solo (2), Bass solo, Basso continuo or Mixed choir (SAB), Organ) - Level 3

SKU: BA.BA06947

Für Solostimmen oder Chor und Basso continuo. Composed by Johann Vierdanck. Edited by Gerhard Weiss. Stapled. Chor-Archiv. Choral score, anthology. 24 pages. Baerenreiter Verlag #BA06947. Published by Baerenreiter Verlag (BA.BA06947).

ISBN 9790006498673. 10.63 x 7.48 inches.

Johann Vierdanck (1605-1646) was a choirboy in Dresden and a pupil of Heinrich Schütz. After short stays in Lübeck and Copenhagen he became an organist at St Mary's in Stralsund. His 1641 collection of 45 „sacred concerts“ appeared in several editions reflecting its popularity among his contemporaries. All the settings are based on Luther's translation of the Bible and are related stylistically to Heinrich Schütz's „Symphoniae sacrae“ (1629) and “Kleine geistliche Konzerte” (1636). The three psalm settings in this volume are ideally suited for small choirs or solo voices in church or concert performance.