Concert band Bass Clarinet, Clarinet in Bb 1, Clarinet in Bb 2, Clarinet in Bb 3, Contrabass Clarinet, Euphonium, Flute 1, Flute 2, Horn in F 1, Horn in F 2, Horn in F 3, Horn in F 4, Oboe 1, Oboe 2, Percussion 1, Percussion 2, Percussion 3, Percussion 4 and more.
SKU: PR.165000970
For Band. Composed by Dan Welcher. This edition: saddle-wire stitch. Sws. Contemporary. Score and parts. With Standard notation. Composed 14-Sep. 40 pages. Duration 0:07:00. Theodore Presser Company #165-00097. Published by Theodore Presser Company (PR.165000970).
ISBN 9781491100462. UPC: 680160626717. 9 x 12 inches.
Commissioned by a consortium of 20 high school and university bands coordinated by Scott Hanna of the University of Texas at Austin, Downshifting is inspired by Welcher’s joy of bicycle riding. Welcher explains in the program note: "When I decided to write a piece for band that was basically entertaining and uplifting, it made perfect sense to call it Downshifting... With three gears on the front sprocket and seven on the rear, it’s possible to keep one’s legs going at a constant speed (for me, q = 126) while the bike itself may be moving very slowly or very quickly. I determined to capitalize on this in writing Downshifting, which keeps the same mathematical inner pulse, ‘shifting’ (with a ratchet) as the terrain changes.".
One of the joys of life for me is riding my 21-speed bicycle.xa0 As a basically non-athletic person who nonetheless likes to stay in shape, I have found that riding my bike provides just the exercise I need.xa0 The workout is strenuous, but pleasant—and the infinite variety of scenery I pass keeps me alert and wide awake.xa0 When I decided to write a piece for band that was basically entertaining and uplifting, it made perfect sense to call it Downshifting.With three gears on the front sprocket and seven on the rear, it’s possible to keep ones legs going at a constant speed (for me, that’s 126 to the quarter note) while the bike itself may be moving very slowly or very quickly.xa0 I determined to capitalize on this in writing the music, which manages to keep the same mathematical inner pulse, “shifting” (with a ratchet) as the terrain changes.xa0 So Downshifting begins with that steady pulse, on a grid of eighth notes in 2/4 to propel the little vehicle forward.xa0 There’s a joyous little tune in our heads as we begin our ride.xa0 As the initial thrill of riding on the flat gives way to monotony, we stay in that pulse for the first minute or so of the ride.xa0 Then, as the first hill becomes visible, we shift the bike down: even though the eighths are equal, the pulse feels slower (and we’re now in 6/8 time).xa0 Ultimately the compound meter shifts again as the climb begins, and we’re now plodding doggedly up the hill.xa0 (The music reflects all of these changes, with subtitles such as “Working harder—Seeing the climb, ahead”, “Steady and committed…the climb begins!”, “Straining against the grade”, etc.).There are two hills, and two long climbs (but in different keys, reflecting the change in scenery).xa0 When at last the summit of the second hill is reached (“Flying, Over the Top”), we coast at last down the other side at breakneck speed.xa0 The initial joyous melody returns, but now in a spread-out coasting pulse.xa0 At the end of the ride, we slow to a stop—then take one last sprint (shifting five times in the process) in order to end on a biker’s high.Downshifting was commissioned by a consortium of fourteen high school and college bands, overseen by my longtime colleague at the University of Texas, Scott Hanna.xa0 The piece is dedicated to him (and to all bicycle enthusiasts).