7903793
Double Duo
7903793
7903793
7903793
Copyright Material for Preview Only - Sheet Music Plus
Chamber Music Cello 1, Cello 2, Piano 1, Piano 2
SKU: PR.114413010
For 2 Cellos and 2 Pianos. Composed by Richard Wernick. This edition: saddle-wire stitch. Sws. Premiered by The Krosnick and Kalish Duo, Paul Hall, Juilliard School of Music. Mr. Krosnick and Mr. Kalish were joined by Darrett Adkins, a cellist, and Christina Dahl, a pianist. Contemporary. Score and parts. With Standard notation. Composed November 11 2004. 45 pages. Duration 0:15:00. Theodore Presser Company #114-41301. Published by Theodore Presser Company (PR.114413010).
UPC: 680160569526. 9.5 x 13 inches.
Premiered November 13, 2007 by The Krosnick and Kalish Duo, Paul Hall, Juilliard School of Music. Mr. Krosnick and Mr. Kalish were joined by Darrett Adkins, a cellist, and Christina Dahl, a pianist, for Richard Wernick's spirited, grandly scaled Double Duo (2004), a piece that works its magic by having the pairs of pianists and cellists begin in tandem and gradually find their independence. subtle changes of texture were everything. (Allan Kozinn, New York Times Music Review) (Duration: 13' 30).
Chamber Music Cello 1, Cello 2, Piano 1, Piano 2
SKU: PR.114413010
For 2 Cellos and 2 Pianos. Composed by Richard Wernick. This edition: saddle-wire stitch. Sws. Premiered by The Krosnick and Kalish Duo, Paul Hall, Juilliard School of Music. Mr. Krosnick and Mr. Kalish were joined by Darrett Adkins, a cellist, and Christina Dahl, a pianist. Contemporary. Score and parts. With Standard notation. Composed November 11 2004. 45 pages. Duration 0:15:00. Theodore Presser Company #114-41301. Published by Theodore Presser Company (PR.114413010).
UPC: 680160569526. 9.5 x 13 inches.
Premiered November 13, 2007 by The Krosnick and Kalish Duo, Paul Hall, Juilliard School of Music. Mr. Krosnick and Mr. Kalish were joined by Darrett Adkins, a cellist, and Christina Dahl, a pianist, for Richard Wernick's spirited, grandly scaled Double Duo (2004), a piece that works its magic by having the pairs of pianists and cellists begin in tandem and gradually find their independence. subtle changes of texture were everything. (Allan Kozinn, New York Times Music Review) (Duration: 13' 30).
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