23095585
Don't Let Go (Love)
23095585
23095585
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Don't Let Go (Love) by En Vogue SSAA - Digital Sheet Music
Don't Let Go (Love) by En Vogue SSAA - Digital Sheet Music page 2
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Digital Download

Don't Let Go (Love) by En Vogue SSAA - Digital Sheet Music

By En Vogue
Chorus Choir (SSAA divisi) - Level 4 - Digital Download

SKU: A0.1667510

By En Vogue. By Andrea Martin; Ivan Matias; Raymon Murray; Rico Wade. Arranged by Natalie Cardillo. This edition: pdf, streaming. 21st Century, A Cappella, Contemporary A Cappella, Pop, R & B. 8 pages. Natalie Cardillo #1233310. Published by Natalie Cardillo (A0.1667510).

Style & Background
Style: Contemporary Pop (1990s R&B)
Originally recorded by: En Vogue
Arranged by: Natalie Cardillo
Language: English (USA)

Programming Use
ICHSA/ICCA Opener
A Cappella Concerts
Pops Concerts
Thematic Concerts (empowerment, heartbreak, vulnerability)

Why This Piece Works
Make a statement and be remembered with a powerful unison introduction.
Every ICHSA judge made a comment about how impactful this opening moment was — never underestimate the power of unison singing!

From there, the arrangement unfolds into rich, close-knit jazz harmonies and layered textures that bring depth and emotion, especially through smart use of the lower vocal range. The arrangement keeps things grounded early on, saving the high notes for those explosive, roof-raising chorus moments.

Attitude is written into every part, making it genuinely fun for the entire group to sing and deliver the sass this song deserves.

Packed with “a cappella moments” — including a standout trio feature and a totally unhinged final chorus with extra ad-libs and riffing — this arrangement is built to hit hard and leave an impression.

Musical Characteristics
Melodic Range
Solo: Ab3-C5
Trio top: C4-F5
Trio bottom: C4-Ab4
Soprano 1: C4–F5
Soprano 2: Bb3-C5
Soprano 3: Bb3-C5
Alto 1: Eb3-C5
Alto 2: C3(brief moment - can be omitted)-C5
Bass: Eb3-C4

Key and Tonality
Fluctuates between F Major and F Minor
Solfege Accessibility: Moderate — Must be comfortable with minor and chromatic solfege

Tips from the Teacher
-Work on stark dynamic contrasts between sections
-Swell through each “doo” in the jazz chords to give chords motion and energy
-Lowest notes in Alto 2 can be barely sung and glossed over to avoid vocal strain

Food for Thought
When is it appropriate to belt vs. mix in this arrangement? Should this be decided per voice part or per each individual singer?

Want Professionally-Sung Practice Tracks?
Email [email protected]
www.choralpop.com.

This product was created by a member of ArrangeMe, Hal Leonard's global self-publishing community of independent composers, arrangers, and songwriters. ArrangeMe allows for the publication of unique arrangements of both popular titles and original compositions from a wide variety of voices and backgrounds.

About Digital Downloads

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