Domini est terra (Gottes ist der Erdkreis). Psalm 24 Formerly attributed to Heinrich Schütz by Heinrich Schutz Trombone - Sheet Music

By Heinrich Schutz

For a long time the only known copy of this magnificent psalm setting was in a manuscript in Königsberg University library, where it was ascribed to Heinrich Schütz. This copy is now missing. But in 2008 Martin Lubenow was able to demonstrate that this composition – without the introductory Sinfonia and scored for somewhat smaller forces – came from a collection by Johann Stadelmayr printed in 1645. The composition has lost none of its splendor because of this, rather it reveals the largely unknown Johann Stadlmayr as one of the most important contemporaries of Heinrich Schütz.

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Details

Instrument:
Trombone
Genres:
Christian Christmas Baroque Period
Composers:
Heinrich Schutz
Publishers:
Carus Verlag
Series:
Stuttgart Urtext Edition
ISBN:
9790007196790
Format:
Part
Item types:
Physical
Artist:
Heinrich Schutz
Arrangers:
Paul Horn
Usages:
Advent Ascension Psalms
Main Key:
G Mixolydian
Size:
8.27 x 11.69 inches
Number of Pages:
4
Shipping Weight:
0.06 pounds

Trombone 1

SKU: CA.2047641

Formerly attributed to Heinrich Schütz. Composed by Heinrich Schutz. Edited by Günter Graulich. Arranged by Paul Horn. This edition: urtext. Stuttgart Urtext Edition: Schutz. German title: Domini est terra. Sacred vocal music, Advent, Ascension, Psalms. Individual part. Composed circa 1630. SWV 476. 4 pages. Duration 8 minutes. Carus Verlag #CV 20.476/41. Published by Carus Verlag (CA.2047641).

ISBN 9790007196790. 8.27 x 11.69 inches. Key: G mixolydian. Language: Latin/German.

For a long time the only known copy of this magnificent psalm setting was in a manuscript in Königsberg University library, where it was ascribed to Heinrich Schütz. This copy is now missing. But in 2008 Martin Lubenow was able to demonstrate that this composition – without the introductory Sinfonia and scored for somewhat smaller forces – came from a collection by Johann Stadelmayr printed in 1645. The composition has lost none of its splendor because of this, rather it reveals the largely unknown Johann Stadlmayr as one of the most important contemporaries of Heinrich Schütz.