Domine, ne in furore - for Brass Quintet by Orlande De Lassus Brass Quintet - Digital Sheet Music

By Orlande De Lassus

Domine, ne in Furore by Orlando di Lasso

Domine, ne in Furore by Orlando di Lasso has been arranged for brass quintet by Russell McKinney. The music is taken from the seven Penitential Psalms that Lasso presented for exclusive use in Albrecht’s court shortly after he was appointed Maestro in 1563. The seven Penitential Psalms (6, 32, 38, 51, 102, 130, & 143 in Anglican numbering) have been in specific liturgical use from early in Western Christianity and therefore were a significant offer to his patron. He added another dimension to his versions by setting each psalm in a different church mode. The numbers in his collection indicates the mode of the setting, rather than the number of the psalm. This arrangement is of the first two sections of Penitential Psalm No. 3 which is Psalm 38 set in the Phrygian Mode.This arrangement is appropriate for moderately advanced performers and does not present any serious challenges for technique, range or endurance.

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Details

Instrument:
Horn Trombone Trumpet Tuba
Ensembles:
Brass Quintet
Genres:
Renaissance
Composers:
Orlande De Lassus
Publishers:
Gordon Cherry
Series:
ArrangeMe
Format:
Score and Parts
Item types:
Digital
Level:
Late Intermediate
Artist:
Orlande De Lassus
Usages:
School and Community
Number of Pages:
10

Brass Ensemble, Brass Quintet French Horn, Trombone, Trumpet, Tuba - Level 4 - Digital Download

SKU: A0.1251338

Composed by Orlande De Lassus. Arranged by Russell McKinney. This edition: pdf. Renaissance. 10 pages. Gordon Cherry #845614. Published by Gordon Cherry (A0.1251338).

Domine, ne in Furore by Orlando di Lasso has been arranged for brass quintet by Russell McKinney. The music is taken from the seven Penitential Psalms that Lasso presented for exclusive use in Albrecht’s court shortly after he was appointed Maestro in 1563. The seven Penitential Psalms (6, 32, 38, 51, 102, 130, & 143 in Anglican numbering) have been in specific liturgical use from early in Western Christianity and therefore were a significant offer to his patron. He added another dimension to his versions by setting each psalm in a different church mode. The numbers in his collection indicates the mode of the setting, rather than the number of the psalm. This arrangement is of the first two sections of Penitential Psalm No. 3 which is Psalm 38 set in the Phrygian Mode.

This arrangement is appropriate for moderately advanced performers and does not present any serious challenges for technique, range or endurance.

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