19935485
Do justice to all men
19935485
19935485
19935485
Copyright Material for Preview Only - Sheet Music Plus
Organ (Soli SATB, Coro SATB, 2 Vl, Va, 2 Vc obl, Bc)
SKU: CA.3116349
Cantata for the 23rd Sunday after Trinity. Composed by Johann Sebastian Bach. Edited by Uwe Wolf. Arranged by Thomas Riegler. This edition: urtext. Stuttgart Urtext Edition: Bach vocal. Organ. Sacred vocal music, End of the church year. Individual part. Composed 1715. BWV 163. 12 pages. Duration 18 minutes. Carus Verlag #CV 31.163/49. Published by Carus Verlag (CA.3116349).
ISBN 9790007209001. 9 x 12 inches. Language: German/English. Text: Salomo Franck.
The cantata "Nur jedem das Seine" (Do justice to all men) BWV 163, for the last Sunday of the Church Year 1714/15, belongs among to those chamber music works which Bach composed for the Weimar Schlosskirche. The instruments are limited to strings, although two obbligato violoncellos are included which together with the solo bass singer and the continuo form a "bass" quartet unique in Bach's works. The final chorale of the cantata is handed down only as a fragment and was newly reconstructed for our edition by Thomas Riegler. Score and part available separately - see item CA.3116300.
Organ (Soli SATB, Coro SATB, 2 Vl, Va, 2 Vc obl, Bc)
SKU: CA.3116349
Cantata for the 23rd Sunday after Trinity. Composed by Johann Sebastian Bach. Edited by Uwe Wolf. Arranged by Thomas Riegler. This edition: urtext. Stuttgart Urtext Edition: Bach vocal. Organ. Sacred vocal music, End of the church year. Individual part. Composed 1715. BWV 163. 12 pages. Duration 18 minutes. Carus Verlag #CV 31.163/49. Published by Carus Verlag (CA.3116349).
ISBN 9790007209001. 9 x 12 inches. Language: German/English. Text: Salomo Franck.
The cantata "Nur jedem das Seine" (Do justice to all men) BWV 163, for the last Sunday of the Church Year 1714/15, belongs among to those chamber music works which Bach composed for the Weimar Schlosskirche. The instruments are limited to strings, although two obbligato violoncellos are included which together with the solo bass singer and the continuo form a "bass" quartet unique in Bach's works. The final chorale of the cantata is handed down only as a fragment and was newly reconstructed for our edition by Thomas Riegler. Score and part available separately - see item CA.3116300.
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