19935475
Do justice to all men
19935475
19935475
19935475
Copyright Material for Preview Only - Sheet Music Plus
SATB vocal soli, SATB choir, 2 violins, viola, 2 cellos, basso continuo (Soli SATB, Coro SATB, 2 Vl, Va, 2 Vc obl, Bc)
SKU: CA.3116300
Cantata for the 23rd Sunday after Trinity. Composed by Johann Sebastian Bach. Edited by Uwe Wolf. Arranged by Thomas Riegler. This edition: urtext. Stuttgart Urtext Edition: Bach vocal. Carus digital: Sheet music as PDF. Sacred vocal music, End of the church year. Full score. Composed 1715. BWV 163. 24 pages. Duration 18 minutes. Carus Verlag #CV 31.163/00. Published by Carus Verlag (CA.3116300).
ISBN 9790007097615. 8.27 x 11.69 inches. Language: German/English. Text: Salomo Franck.
The cantata "Nur jedem das Seine" (Do justice to all men) BWV 163, for the last Sunday of the Church Year 1714/15, belongs among to those chamber music works which Bach composed for the Weimar Schlosskirche. The instruments are limited to strings, although two obbligato violoncellos are included which together with the solo bass singer and the continuo form a "bass" quartet unique in Bach's works. The final chorale of the cantata is handed down only as a fragment and was newly reconstructed for our edition by Thomas Riegler.
SATB vocal soli, SATB choir, 2 violins, viola, 2 cellos, basso continuo (Soli SATB, Coro SATB, 2 Vl, Va, 2 Vc obl, Bc)
SKU: CA.3116300
Cantata for the 23rd Sunday after Trinity. Composed by Johann Sebastian Bach. Edited by Uwe Wolf. Arranged by Thomas Riegler. This edition: urtext. Stuttgart Urtext Edition: Bach vocal. Carus digital: Sheet music as PDF. Sacred vocal music, End of the church year. Full score. Composed 1715. BWV 163. 24 pages. Duration 18 minutes. Carus Verlag #CV 31.163/00. Published by Carus Verlag (CA.3116300).
ISBN 9790007097615. 8.27 x 11.69 inches. Language: German/English. Text: Salomo Franck.
The cantata "Nur jedem das Seine" (Do justice to all men) BWV 163, for the last Sunday of the Church Year 1714/15, belongs among to those chamber music works which Bach composed for the Weimar Schlosskirche. The instruments are limited to strings, although two obbligato violoncellos are included which together with the solo bass singer and the continuo form a "bass" quartet unique in Bach's works. The final chorale of the cantata is handed down only as a fragment and was newly reconstructed for our edition by Thomas Riegler.
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