Dixit Dominus - Cello/Bass Psalm 110 by Baldassare Galuppi Cello - Sheet Music

By Baldassare Galuppi

This classic setting of DIXIT DOMINUS (Psalm 110) has long been a benchmark in the Roger Dean catalogue as a fine scholarly edition and, in fact, has become a standard in quality repertoire available for SSAA choirs. The late David Larson, a renowned musicologist, transcribed and edited this work nearly 20 years ago. As a testament to his work and the continued popularity of Galuppi's setting, a new edition incorporating an updated notational style and a slightly revised keyboard realization seems altogether appropriate. The choral parts remain unchanged and editorial marks are clearly indicated as before. Although the pagination is necessarily different than the first edition because of the smaller trim size used for the convenience of the singers, the measures are numbered in the same manner so that both editions may be used simultaneously. The full score and instrumental parts, formerly available only by the rental of penciled manuscript, are now engraved and available for purchase.

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Details

Instrument:
Cello
Genres:
Christian Baroque Period
Composers:
Baldassare Galuppi
Publishers:
Roger Dean Publishing
UPC:
000308030433
Format:
Set of Parts
Item types:
Physical
Artist:
Baldassare Galuppi
Usages:
Psalms
Shipping Weight:
0.34 pounds

Cello and bass

SKU: LO.30-1126R

Psalm 110. Composed by Baldassare Galuppi. Arranged by David Larson. Major Work, Sacred. Cello/bass parts. Roger Dean Publishing #30/1126R. Published by Roger Dean Publishing (LO.30-1126R).

UPC: 000308030433.

This classic setting of DIXIT DOMINUS (Psalm 110) has long been a benchmark in the Roger Dean catalogue as a fine scholarly edition and, in fact, has become a standard in quality repertoire available for SSAA choirs. The late David Larson, a renowned musicologist, transcribed and edited this work nearly 20 years ago. As a testament to his work and the continued popularity of Galuppi's setting, a new edition incorporating an updated notational style and a slightly revised keyboard realization seems altogether appropriate. The choral parts remain unchanged and editorial marks are clearly indicated as before. Although the pagination is necessarily different than the first edition because of the smaller trim size used for the convenience of the singers, the measures are numbered in the same manner so that both editions may be used simultaneously. The full score and instrumental parts, formerly available only by the rental of penciled manuscript, are now engraved and available for purchase.