5949736
Divertimento Giocoso Set
5949736
5949736
5949736
Copyright Material for Preview Only - Sheet Music Plus
2 woodwinds (flutes, treble recorders or flute and oboe) and string orchestra (ST) - intermediate
SKU: HL.49002062
Composed by Harald Genzmer. Sheet music. Concertino (Chamber Orchestra). Classical. Set of Parts. Composed 1960. 142 pages. Duration 13'. Schott Music #CON 61-70. Published by Schott Music (HL.49002062).
ISBN 9790001022163. 9.0x12.0x0.493 inches.
The 'Divertimento giocoso' by Harald Genzmer created in 1960 is scored for two woodwind instruments (flutes, recorders or transverse flute and oboe) as solo instruments opposed to the string orchestra. The composer, whose work suits the amateur music-making very much in many respects, succeeded in creating a tonal arrangement that is individual in style. In the first movement, this rhythmically very lively, thematically clearly visible and harmonically inter-esting though not revolutionary work presents the strings and the solo instruments often enter-ing canonically with an easily remembered -seventh motif; in the second movement, it leads a melody dying away a long time to a dynamic climax, adds harmonic cross relations to a scherzo moving in dance style and closes with a lively vivace movement.“ (Das Liebhaber-orchester).
2 woodwinds (flutes, treble recorders or flute and oboe) and string orchestra (ST) - intermediate
SKU: HL.49002062
Composed by Harald Genzmer. Sheet music. Concertino (Chamber Orchestra). Classical. Set of Parts. Composed 1960. 142 pages. Duration 13'. Schott Music #CON 61-70. Published by Schott Music (HL.49002062).
ISBN 9790001022163. 9.0x12.0x0.493 inches.
The 'Divertimento giocoso' by Harald Genzmer created in 1960 is scored for two woodwind instruments (flutes, recorders or transverse flute and oboe) as solo instruments opposed to the string orchestra. The composer, whose work suits the amateur music-making very much in many respects, succeeded in creating a tonal arrangement that is individual in style. In the first movement, this rhythmically very lively, thematically clearly visible and harmonically inter-esting though not revolutionary work presents the strings and the solo instruments often enter-ing canonically with an easily remembered -seventh motif; in the second movement, it leads a melody dying away a long time to a dynamic climax, adds harmonic cross relations to a scherzo moving in dance style and closes with a lively vivace movement.“ (Das Liebhaber-orchester).
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